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[5] [6] The most common materials used to make the jars include wood, limestone, faience, and clay, and the design was occasionally accompanied by painted on facial features, names of the deceased or the gods, and/or burial spells. Early canopic jars were placed inside a canopic chest and buried in tombs together with the sarcophagus of the ...
Sometimes the four canopic jars were placed into a canopic chest and buried with the mummified body. A canopic chest resembled a "miniature coffin" and was intricately painted. The Ancient Egyptians believed that by burying their organs with the deceased, they may rejoin in the afterlife.
Isis speaks in Spell 151, however. She is the guardian of Imseti, who in turn guards the canopic jar containing the liver. As well Isis is a member of the Heliopolitan cosmology's Ennead, a system of gods often extended to include Horus. [17] Book of the Dead Spell 30A appears to connect the heart with afterlife judgments, imploring:
The lids of canopic jars began to be sculpted in the shape of heads at the end of the First Intermediate Period, at the same time that the jars' inscriptions began to invoke the sons of Horus. These lids are therefore probably meant to represent the four sons rather than the organs' deceased owner. [ 26 ]
This contained the canopic jar containing Hetepheres organs. In the center of the lid was a loam seal that secured a cord around the chest. The seal was protected by a small perforated ceramic lid. The clay surface was badly damaged. It certainly mentioned the "mortuary of Khufu", as did the other seals found in the tomb. [12]
As a mortuary goddess like Isis, Neith, and Serqet, Nephthys was one of the protectresses of the canopic jars of Hapi. Hapi, one of the sons of Horus, guarded the embalmed lungs. Thus we find Nephthys endowed with the epithet "Nephthys of the Bed of Life" [18] in direct reference to her regenerative priorities on the embalming table.
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In front of Osiris are the four sons of Horus (see also canopic jars from Facsimile 1 in the JSP I) standing by, protecting the internal organs of the deceased during the judgement. Halfway down the Lilly stand, above two plant shaped wine jars are two human-headed birth bricks called Meskhenet and Shai, gods of destiny that represent the fate ...