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Lucida (pronunciation: / ˈ l uː s ɪ d ə / [2]) is an extended family of related typefaces designed by Charles Bigelow and Kris Holmes and released from 1984 onwards. [3] [4] The family is intended to be extremely legible when printed at small size or displayed on a low-resolution display – hence the name, from 'lucid' (clear or easy to understand).
The font exemplifies the style preceding the 1530s: a font dark in colour, with wide capitals, tilted 'e's and large dots on the 'i', recalling calligraphy. De Colines, who probably engraved his own typefaces, developed his style and use of type over his lifetime, increasing the influence of classical Roman capitals [ 170 ] and making his fonts ...
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Diwani calligraphy by Kazasker Mustafa Izzet Efendi. Diwani is a calligraphic variety of Arabic script, a cursive style developed during the reign of the early Ottoman Turks (16th century - early 17th century). It reached its height of popularity under Süleyman I the Magnificent (1520–1566).
A modern sans-serif and four blackletter typefaces (left to right): Textur(a), Rotunda, Schwabacher and Fraktur.. Fraktur (German: [fʁakˈtuːɐ̯] ⓘ) is a calligraphic hand of the Latin alphabet and any of several blackletter typefaces derived from this hand.
Matthew Carter has cited his 1966 Snell Roundhand typeface as deliberately designed to replicate a style of calligraphy hard to simulate in metal. [ 10 ] [ 11 ] An additional development enabling more sophisticated script fonts has been the release of the OpenType format, which most fonts are now released in.