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TX-1 is an arcade racing simulation game developed by Tatsumi and released in 1983. [3] It was licensed to Namco, [4] who in turn licensed it to Atari, Inc. for release in the United States, [4] thus the game is considered a successor to Pole Position and Pole Position II. [4]
Big Fight (ビッグファイト), fully titled as Big Fight: Big Trouble in the Atlantic Ocean, is a 1992 fighting game / belt scrolling beat 'em up-hybrid arcade game developed and published by Tatsumi, [1] and is one of their last arcade games. Tatsumi added two different modes to Big Fight: a beat 'em up mode and a versus fighting game mode ...
R8 Games WIN 2017-06-01 Pako 2: Tree Men Games Tree Men Games WIN, MacOS, iOS, Droid 2017-11-26 Paperboy: Atari Games: Atari Games: Arcade 1985-02 Paris Chase: Team6 Game Studios: Team6 Game Studios: WIN 2007 Paris-Dakar Rally: Broadsword Interactive Acclaim Entertainment: WIN, PS2 2001-10-09 Peak Performance: Cave: Atlus, Sega: PS1 1997-01-22 ...
Taiko: Drum Master, also known as Taiko no Tatsujin: Taiko Drum Master (太鼓の達人 TAIKO DRUM MASTER) in Japan, is a 2004 rhythm game developed and published by Namco for the Sony PlayStation 2 as part of the popular Japanese video game franchise Taiko no Tatsujin. It was released in North America in 2004, and Japan in 2005.
Lock-On is a 1986 first-person combat flight simulator video game with a futuristic theme. It was developed by Tatsumi and licensed to Data East for US distribution. Its graphics feature scaling sprites and a full-screen rotation effect. The game consists of 20 levels.
Taiko no Tatsujin: Rhythmic Adventure 2, also known as Taiko no Tatsujin: Dokodon! Mystery Adventure, [al] is the third Taiko no Tatsujin game exclusively for the Nintendo 3DS, released on June 16, 2016, in Japan. [49] The game features over 70 songs and introduces a new Mystery Adventure mode, which adds an RPG adventure to the game. In this ...
Module file (MOD music, tracker music) is a family of music file formats originating from the MOD file format on Amiga systems used in the late 1980s. Those who produce these files (using the software called music trackers ) and listen to them form the worldwide MOD scene, [ 1 ] a part of the demoscene subculture.