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These protestant ideas have also had an impact on modern Catholic church architecture: When St. Hedwig's Cathedral in Berlin was rebuilt after the Second World War, a similar arrangement was chosen, which was also retained in the most recent redesign of its interior. Many new Catholic churches now also follow this program.
He also rented a 300-seat former Baptist church in a different location for those who wanted inside seating. [10] To accommodate the growth of their congregation, in 1958 the Schullers bought 10 acres in Garden Grove for a larger combination drive-in/sit-in church. Designed by architect Richard Neutra, the new church opened in 1961. [11]
Exterior of the new church Interior of the new church. The new church was designed by Eiermann and consists of four buildings grouped around the remaining ruins of the old church. The initial design included the demolition of the spire of the old church but following pressure from the public, it was decided to incorporate it into the new design ...
The Rothko Chapel is a non-denominational chapel in Houston, Texas, founded by John and Dominique de Menil.The interior serves not only as a chapel, but also as a major work of modern art: on its walls are fourteen paintings by Mark Rothko in varying hues of black.
The interior of the dome or tower may be one of the major architectural features of the interior of the church. In a centrally planned church such as Hagia Sophia, and typical of many Orthodox churches, the major interior space of the building is roofed by the dome.
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The modern church was built in a circular style in 2013 using plans drawn up by the architectural firm LINK arkitektur [no; uk], in collaboration with Schmidt Hammer Lassen Architects. The church seats about 350 people. [1] [2] Prior to the opening of this church, the main church for the parish was the historic Alta Church.
Upon entering the assembly area is the presbytery at the end of the church, with the large crucifix and a large panel in mosaic representing a scene from the Apocalypse. [7] Most of the interior decoration, including stations of the cross, were selected to provide a representation of the internal journey of self-sacrifice. [7]