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The Northern Renaissance was the Renaissance that occurred in Europe north of the Alps.From the last years of the 15th century, its Renaissance spread around Europe. Called the Northern Renaissance because it occurred north of the Italian Renaissance, this period became the German, French, English, Low Countries and Polish Renaissances, and in turn created other national and localized ...
Jan van Eyck, The Arnolfini Portrait, 1434, National Gallery, London Rogier van der Weyden, The Descent from the Cross, c. 1435, Museo del Prado, Madrid. Early Netherlandish painting is the body of work by artists active in the Burgundian and Habsburg Netherlands during the 15th- and 16th-century Northern Renaissance period, once known as the Flemish Primitives. [1]
Italian Renaissance influences begin to show on Early Netherlandish painting around 1500, but in many ways the older style was remarkably persistent. Antwerp Mannerism is a term for painters showing some Italian influence, but mainly continuing the style and subjects of the older masters.
Renaissance art (1350 – 1620 [1]) is the painting, sculpture, and decorative arts of the period of European history known as the Renaissance, which emerged as a distinct style in Italy in about AD 1400, in parallel with developments which occurred in philosophy, literature, music, science, and technology. [2]
The Renaissance was largely driven by the renewed interest in classical learning, and was also the result of rapid economic development. At the beginning of the 16th century, Germany (referring to the lands contained within the Holy Roman Empire) was one of the most prosperous areas in Europe despite a relatively low level of urbanization compared to Italy or the Netherlands.
From the early 16th century, the Italian Renaissance started to influence the Flemish painters. The result was very different from the typical Italian Renaissance painting. The leading artist was Pieter Brueghel the Elder, who avoided direct Italian influence, unlike the Northern Mannerists. Peter Paul Rubens, self-portrait
As art historian Henri Zerner explains: "The concept of Mannerism—so important to modern criticism and notably to the renewed taste for Fontainebleau art—designates a style in opposition to the classicism of the Italian Renaissance embodied above all by Andrea del Sarto in Florence and Raphael in Rome".
Jeffrey Chipps Smith is an American art historian specialising in the Northern Renaissance and Baroque art and architecture. He has published a number of prize winning books on art history. [1] In 2005 he wrote the introduction for a reprint of Erwin Panofsky's classic "The Life and Art of Albrecht Dürer". [2]