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"Footprints," also known as "Footprints in the Sand," is a popular modern allegorical Christian poem. It describes a person who sees two pairs of footprints in the sand, one of which belonged to God and another to themselves. At some points the two pairs of footprints dwindle to one; it is explained that this is where God carried the protagonist.
The double A-side "Better in Time" and "Footprints in the Sand" debuted at number seventy-four on the UK Singles Chart on 1 March 2008. [38] After selling 40,476 copies it peaked at number two on 22 March 2008, [35] the same week "Footprints in the Sand" debuted in the top forty. [35] It was Lewis's third single to reach the top five in the UK ...
The B-side is an instrumental version of the song with narration of the poem by disc jockey Johnny Dark. [ 2 ] The song has no relation to a 1961 song "Footprints In The Sand" written by Gwynn Elias & Irving Reid which was recorded by Garry Mills , which begins "I was to meet my baby", and then by The Marcels with the refrain "I saw those ...
"These Words" details Bedingfield's lack of inspiration and her reaction to pressure from her record label to produce a hit song. [1] "These Words" was released as the album's second international single and as the lead single in North America. The single sold well, reached the top 40 worldwide, and topped the charts in both Ireland and the ...
Alfred Edward Housman (/ ˈ h aʊ s m ən /; 26 March 1859 – 30 April 1936) was an English classical scholar and poet. He showed early promise as a student at the University of Oxford, but he failed his final examination in literae humaniores and took employment as a patent examiner in London in 1882.
Max Dunn's poem "I Danced Before I had Two Feet" was turned into a song ("I Danced") by the band Violent Femmes; Thrice adapted E.E. Cummings' poem "Since feeling is first" into their song "A Living Dance Upon Dead Minds" William Wordsworth's "Lucy" suite of poems was performed by The Divine Comedy on the album Liberation.
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These poems range from religious imagery to implied metaphors of religion. One particular theme was developed progressively throughout her poetry. This was the pilgrimage/spiritual journey of Levertov towards the deep spiritual understanding and truth in her last poems.