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José Guadalupe Posada Aguilar (2 February 1852 – 20 January 1913) was a Mexican political printmaker who used relief printing to produce popular illustrations. His work has influenced numerous Latin American artists and cartoonists because of its satirical acuteness and social engagement.
Whereas Posada's print intended to satirize upper class women of the Porfiriato, Rivera, through various iconographic attributes that referenced indigenous cultures, rehabilitated her into a Mexican national symbol. [1] La Catrina is a ubiquitous character associated with Day of the Dead (Spanish: Día de Muertos), both in Mexico and around the ...
José Guadalupe Posada (Mexico) La Calavera Catrina. Art in Latin America has often been used as a means of social and political critique. Mexican graphic artist José Guadalupe Posada drew harsh images of Mexican elites as skeletons, calaveras. This was done prior to the Mexican Revolution, strongly influencing later artists, such as Diego Rivera.
Rob Neufeld wrote the local history feature, "Visiting Our Past," for the Citizen Times until his death in 2019. This column originally was published Nov. 8, 2007.
There is a flourishing street art movement influenced by Latin American artists José Guadalupe Posada and the muralist Diego Rivera. After the Cuban Revolution of 1959, some artists felt it was in their best interests to leave Cuba and produce their art, while others stayed behind, either happy or merely content to be creating art in Cuba ...
The mural depicts famous people and events in the history of Mexico, passing through the Alameda Central park in Mexico City. Some notable figures include Frida Kahlo, José Guadalupe Posada, Francisco I. Madero, Benito Juárez, Sor Juana Inés de la Cruz, Porfirio Díaz, Agustín de Iturbide, Ignacio Manuel Altamirano, Maximilian I of Mexico, Juan de Zumárraga, Antonio López de Santa Anna ...
Mural by Diego Rivera showing the pre-Columbian Aztec city of Tenochtitlán.In the Palacio Nacional in Mexico City.. Mexican muralism refers to the art project initially funded by the Mexican government in the immediate wake of the Mexican Revolution (1910–1920) to depict visions of Mexico's past, present, and future, transforming the walls of many public buildings into didactic scenes ...
The museum opened in 1972 and is run jointly by the state and federal governments. It is housed in what was the priest's cloisters and residence, in front of the gardens and a colonial fountain, and immediately next to the beautiful 18th century baroque Church of "El Señor del Encino" (Our Lord of the Oak, for a Black Crist made of live oak, worshiped in the church), in the Triana historic ...