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For a list of the core jazz standards, see the following lists by decade: . Before 1920; 1920s; 1930s; 1940s; 1950s and later; For a looser, more comprehensive A-Z list of jazz standards and tunes which have been covered by multiple artists, see the List of jazz tunes
This is an A–Z list of jazz tunes which have been covered by multiple jazz artists. It includes the more popular jazz standards, lesser-known or minor standards, and many other songs and compositions which may have entered a jazz musician's or jazz singer's repertoire or be featured in the Real Books, but may not be performed as regularly or as widely as many of the popular standards.
Richard Rodgers and Lorenz Hart. According to the Great American Songbook Foundation: . The "Great American Songbook" is the canon of the most important and influential American popular songs and jazz standards from the early 20th century that have stood the test of time in their life and legacy.
In Europe, jazz standards and "fake books" may even include some traditional folk songs (such as in Scandinavia) or pieces of a minority ethnic group's music (such as gypsy music) that have been played with a jazz feel by well known jazz players. A commonly played song can only be considered a jazz standard if it is widely played among jazz ...
The song is the most recorded jazz standard of all time. [2] "But Not for Me" [10] was introduced by Ginger Rogers in the Broadway musical Girl Crazy. It was composed by George Gershwin with lyrics by Ira Gershwin. The song failed to achieve significant pop success, charting only once in 1942.
Jazz-oriented artists who recorded the song include Ella Fitzgerald, Sarah Vaughn, Dinah Shore, Billy Holiday, Etta James, and Aretha Franklin. " Just A-Sittin' and A-Rockin' " [ 39 ] is a song composed by Duke Ellington and Billy Strayhorn, with lyrics by Lee Gaines.
The song is arguably the most recorded popular song, and one of the top jazz standards. Billboard magazine conducted a poll of leading disk jockeys in 1955 on the "popular song record of all time"; four different renditions of "Stardust" made it to the list, including Glenn Miller's (1941) at third place and Artie Shaw's (1940) at number one ...
It is the most widely performed blues song and the most popular jazz standard written before the 1920s. [37] [38] It was the most recorded jazz standard for over 20 years. [38] The song was initially only moderately successful, but later became a big hit when vaudeville and revue performers started singing it in their shows. [39]