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The Doctor Who theme music was composed by Ron Grainer and initially arranged by Delia Derbyshire of the BBC Radiophonic Workshop. Various composers subsequently arranged it for later versions of the theme. In the classic series, each serial's director chose the freelance composer for the incidental music in the serial.
This is an accepted version of this page This is the latest accepted revision, reviewed on 5 February 2025. American composer and conductor (born 1932) This article is about the composer. For other people named John Williams, see John Williams (disambiguation). John Williams Williams in 2024 Born John Towner Williams (1932-02-08) February 8, 1932 (age 92) New York City, U.S. Occupations ...
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Biosphere (born 1962) – Eternal Stars, Insomnia, Man with a Movie Camera; Magnus Birgersson – Mirror's Edge; Joseph Bishara (born 1970) – 11–11–11, The Conjuring, Dark Skies, Insidious; Anil Biswas (1914–2003) – Kismet, Aurat, Journey Beyond Three Seas; Bruno Bizarro (born 1979) – A Vida Privada de Salazar, O Último Tesouro ...
The 1996 Doctor Who television movie used a fully orchestrated version, arranged by John Debney. This contained a new introduction, being a quieter piece of music over which part of the Eighth Doctor's (Paul McGann) opening narration was read, leading into a crescendo into the "middle eight", a departure from previous versions of the theme ...
Peter Howell (born 1949) is a musician and composer. He is best known for his work on Doctor Who as a member of the BBC Radiophonic Workshop.. Howell's musical career began in the late 1960s working with John Ferdinando in various psychedelic folk bands including Agincourt and Ithaca.
Dudley George Simpson (4 October 1922 – 4 November 2017) was an Australian composer and conductor. He was the Principal Conductor of the Royal Opera House orchestra for three years and worked as a composer on British television. He worked on the BBC science-fiction series Doctor Who, for which he composed incidental music during the 1960s and ...
The website's consensus reads: "A warm retrospective on a modern master, this documentary is a symphonic treat for anyone who loves music in the movies -- or just plain great music." [4] Metacritic, which uses a weighted average, assigned the film a score of 74 out of 100, based on 11 critics, indicating "generally favorable" reviews. [5]