Ads
related to: best funk guitar solos
Search results
Results From The WOW.Com Content Network
In March 2005, Father Nature Magazine placed Hazel's performance on "Maggot Brain" at number 1 in its list of the 100 Greatest Guitar Solos; the solo came in at #71 in "100 Greatest Guitar Solos" by Guitar World magazine. The solo has had great influence on some guitar players, Vernon Reid and Dean Ween among them. [11] [12]
Edward Earl Hazel (April 10, 1950 – December 23, 1992) was an American guitarist and singer in early funk music who played lead guitar with Parliament-Funkadelic. [1] [2] Hazel was a posthumous inductee to the Rock and Roll Hall of Fame, inducted in 1997 with fifteen other members of Parliament-Funkadelic. [3]
The guitar solo on "Get Off Your Ass and Jam" is uncredited, a practice that was typical of Funkadelic records of the 1970s. In several interviews and in his 2014 autobiography, Brothas Be, Yo Like George, Ain't That Funkin' Kinda Hard on You?, Clinton has said that the guitarist is unknown:
A guitar solo is a melodic passage, instrumental section, or entire piece of music, pre-written (or improvised) to be played on a classical, electric, or acoustic guitar. In 20th and 21st century traditional music and popular music such as blues , swing , jazz , jazz fusion , rock and heavy metal , guitar solos often contain virtuoso techniques ...
Guitar, vocals, keyboards, harmonica ... His best-known composition is the 1970 epic "I'm Your ... which plays a mixture of Grand Funk songs and Farner's solo ...
I Wanna Get Funky is the eighth studio album by Albert King, covering various blues tunes with heavy funk overtones, by Albert King, recorded in 1972 and released in 1974. [1] With a rhythm section led by the Bar-Kays and horn arrangements by the Memphis Horns, [ 3 ] it is considered by AllMusic as a "another very solid, early-'70s outing".
Heavy Metal Funkason is the first full-fledged solo album by Parliament-Funkadelic guitarist Michael Hampton. It was released through the P-Vine label in Japan on March 31, 1998. [1] The album features appearances by George Clinton, P-Funk bassist Lige Curry (Hampton's cousin), Belita Woods, and Charlie Wilson from the Gap Band.
The song has a characteristic bass line and is set to a funk beat.For the most part, it is built entirely on a two-chord vamp: a i-IV in B ♭ Dorian (B ♭ m7 and E ♭ 7). [5] The piece's signature 12-note bass line was played by Hancock on an ARP Odyssey, [6] [7] as was one of the keyboard solos.