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Aristotle's work on aesthetics consists of the Poetics, Politics (Bk VIII), and Rhetoric. [8] The Poetics was lost to the Western world for a long time. The text was restored to the West in the Middle Ages and early Renaissance only through a Latin translation of an Arabic version written by Averroes. [9]
Aristotle finds (in the Metaphysics) the universal elements of beauty to be order (taxis), symmetry and definiteness or determinateness (to orismenon). In the Poetics he adds another essential, namely, a certain magnitude; the object should not be too large, while clearness of perception requires that it should not be too small. [4]
Vettori did not try to solve the problem but was first to publish about it, in his Latin commentary on the Poetics in 1560. [37] André Dacier wrote more than a century later, as though unaware of Castelvetro's remarks on the problem, "The wise Victorius [Vettori] is the only one who has seen it; but since he did not know what was the concern in the Chapter, and that it is only by this that it ...
The works of Aristotle, sometimes referred to by modern scholars with the Latin phrase Corpus Aristotelicum, is the collection of Aristotle's works that have survived from antiquity. According to a distinction that originates with Aristotle himself, his writings are divisible into two groups: the " exoteric " and the " esoteric ". [ 1 ]
The first pupils of Aristotle commentated on his writings, but often with a view to expand his work. Thus Theophrastus invented five moods of syllogism in the first figure, in addition to the four invented by Aristotle, and stated with additional accuracy the rules of hypothetical syllogisms.
Aesthetics examines the philosophy of aesthetic value, which is determined by critical judgments of artistic taste; [2] thus, the function of aesthetics is the "critical reflection on art, culture and nature". [3] [4] Aesthetics studies natural and artificial sources of experiences and how people form a judgment about those sources of experience.
The birth of Renaissance criticism was in 1498, with the recovery of classic texts, most notably, Giorgio Valla's Latin translation of Aristotle's Poetics. The work of Aristotle, especially Poetics , was the most important influence upon literary criticism until the late eighteenth century.
Leonardo Bruni's translation of Aristotle's Poetics. Poetics is the study or theory of poetry, specifically the study or theory of device, structure, form, type, and effect with regards to poetry, [1] though usage of the term can also refer to literature broadly.