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Isabella d'Este is considered an Italian fashion icon and inventor of balzo and flea fur. The presumed portrait from 1511 shows her temple curls, gown with tied-on sleeves and already an early form of the balzo, which is copied in many portraits in the 1520/30s. Italian gown of floral silk has wide, puffed upper sleeves and fitted lower sleeves ...
The general European convention of completely covering married women's hair was not accepted in warmer Italy. [26] Italian women wore their hair very long, wound with ribbons or braided, and twisted up into knots of various shapes with the ends hanging free. The hair was then covered with sheer veils or small caps.
Fashion in the period 1550–1600 in European clothing was characterized by increased opulence. Contrasting fabrics, slashes, embroidery, applied trims, and other forms of surface ornamentation remained prominent. The wide silhouette, conical for women with breadth at the hips and broadly square for men with width at the shoulders had reached ...
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Overview of fashion from The New Student's Reference Work, 1914. Summary of women's fashion silhouet changes, 1794–1887. The following is a chronological list of articles covering the history of Western fashion—the story of the changing fashions in clothing in countries under influence of the Western worldâ —from the 5th century to the present.
Gable hood with pinned-up lappets and a hanging veil. Mary, Lady Guildford, by Hans Holbein the Younger, 1527.. A gable hood, English hood or gable headdress is an English woman's headdress of c. 1500–1550, so called because its pointed shape resembles the architectural feature of the same name.
A houppelande or houpelande is an outer garment, with a long, full body and flaring sleeves, that was worn by both men and women in Europe in the late Middle Ages. Sometimes the houppelande was lined with fur. The garment was later worn by professional classes, and has remained in Western civilization as the familiar academic and legal robes of ...
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