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Accusonus, Inc was a Greek technology company that developed software for music production/performance and audio repair. Accusonus was founded in 2013 in Patras, Greece and was based in Patras & Athens, Greece and in Lexington, Massachusetts (USA).
Advanced Linux Sound Architecture (ALSA) is a software framework and part of the Linux kernel that provides an application programming interface (API) for sound card device drivers. Some of the goals of the ALSA project at its inception were automatic configuration of sound-card hardware and graceful handling of multiple sound devices in a system.
Free and open-source software portal; LIVE555 Streaming Media is a set of open source [disputed (for: open source licensing) – discuss] C++ libraries developed by Live Networks, Inc. for multimedia streaming.
A driver in software provides a programming interface to control and manage specific lower-level interfaces that are often linked to a specific type of hardware, or other low-level service. In the case of hardware, the specific subclass of drivers controlling physical or virtual hardware devices are known as device drivers.
The sampler was succeeded by the SP-555 in 2008, but was later given its own upgrade as the Roland SP-404SX Linear Wave Sampler in 2009. [2] Another upgrade, the Roland SP-404A Linear Wave Sampler was released in 2017. A third upgrade, the SP-404MKII was released in 2021. [3]
Together with the well known Dr. T's Midi Recording Studio, Pro Sound Designer, Sonix, SoundFX, Audition 4, HD-Rec, and Audio Evolution, there was also much Amiga software to pilot digitizers such as GVP DSS8 Plus 8bit audio sampler/digitizer for Amiga, Sunrize AD512 and AD516 professional 12 and 16-bit DSP sound cards for the Amiga that included Studio-16 as standard software, Soundstage ...
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The first set of extensions and generalizations of the Karplus-Strong Algorithm, typically known as the Extended Karplus-Strong (EKS) Algorithm, was presented in a paper in 1982 at the International Computer Music Conference in Venice, Italy, [citation needed] and published in more detail in 1983 in Computer Music Journal in an article entitled ...