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Daniel 7 (the seventh chapter of the Book of Daniel) tells of Daniel's vision of four world-kingdoms replaced by the kingdom of the saints or "holy ones" of the Most High, which will endure for ever. Four beasts come out of the sea, the Ancient of Days sits in judgment over them, and "one like a son of man " is given eternal kingship.
The Message: The Bible in Contemporary Language (MSG) is a paraphrase of the Bible in contemporary English. Authored by Eugene H. Peterson and published in segments from 1993 to 2002. [2] A Catholic version, The Message – Catholic / Ecumenical Edition, was published in 2013. [3]
Daniel 8 is then a new beginning, and the single vision contained in chapters 10–12 advances that argument further and gives it more precision. [11] Within the three chapters of Daniel 10–12, Daniel 10 serves as prologue, chapter 11 as the report of the angelic vision, and chapter 12 as the epilogue. [12] P. R.
The Book of Daniel is divided between the court tales of chapters 1–6 and the apocalyptic visions of 7–12, and between the Hebrew of chapters 1 and 8–12 and the Aramaic of chapters 2–7. [8] [9] The division is reinforced by the chiastic arrangement of the Aramaic chapters (see below), and by a chronological progression in chapters 1–6 ...
[21] such as the "little horn" of Daniel 7 and 8. Isaac Newton's religious views on the historicist approach are in the work published in 1733, after his death, Observations upon the Prophesies of the Book of Daniel, and the Apocalypse of St. John. [22] It took a stance toward the papacy similar to that of the early Protestant reformers.
Daniel 8 is the eighth chapter of the Book of Daniel. It tells of Daniel 's vision of a two-horned ram destroyed by a one-horned goat, followed by the history of the "little horn", which is Daniel's code-word for the Greek king Antiochus IV Epiphanes .
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C'. (chapter 5) – Daniel interprets the handwriting on the wall for Belshazzar; B'. (chapter 6) – Daniel in the lions' den; A'. (chapter 7) – A vision of four world kingdoms replaced by a fifth; Daniel 5 is thus composed as a companion-piece to Daniel 4, the tale of the madness of Nebuchadnezzar, the two giving variations on a single theme.