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The film has not been widely reviewed. Joe Leydon of Variety was positively affected by the film, writing "One of the more impressive qualities of “Battlecreek,” a slow-burn drama set in a sultry Mississippi town, is the way it upends audience expectations by taking a surprise detour or two while covering familiar ground."
The Road to Wellville is a 1994 American comedy drama film written, produced and directed by Alan Parker, an adaptation of T. C. Boyle's novel of the same name, which tells the story of the doctor and clean-living advocate John Harvey Kellogg and his methods employed at the Battle Creek Sanitarium at the beginning of the 20th century.
The Road to Wellville is a 1993 novel by American author T. C. Boyle. [1] Set in Battle Creek, Michigan, during the early days of breakfast cereals, the story includes a historical fictionalization of John Harvey Kellogg, the inventor of corn flakes.
A low-budget film or low-budget movie is a motion picture shot with little to no funding from a major film studio or private investor. Many independent films are made on low budgets, but films made on the mainstream circuit with inexperienced or unknown filmmakers can also have low budgets.
Livers Ain’t Cheap (also known as The Real Thing) is a 1996 crime film written and directed by James Merendino and starring James Russo, Jeremy Piven, Emily Lloyd, Fabrizio Bentivoglio, Ashley Lawrence, Esai Morales, Gary Busey & Rod Steiger.
'Killer's Trench', also released as Battle Creek Brawl) is a 1980 martial arts action comedy film which marked Jackie Chan's first attempt to break into the American movie Hollywood market. [2] A joint Hong Kong and American co-production, it was directed by American filmmaker Robert Clouse and featured much of the crew from Enter the Dragon ...
Flicks, also known as Loose Joints, is a 1982 anthology comedy film consisting of a series of comedic segments themed after Saturday afternoon matinées. [4] Segments
The 1960s and 1970s marked the rise of exploitation-style independent B movies; films which were mostly made without the support of Hollywood's major film studios.As censorship pressures lifted in the early 1960s, the low-budget end of the American motion picture industry increasingly incorporated the sort of sexual and violent elements long associated with so-called ‘exploitation’ films.