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The ZZ632's iron block shares a mold with Chevrolet Performance's ZZ572 crate engines, but the castings are machined to accommodate the huge 632 cubic-inch displacement. The bore grows by 0.040 in (1.0 mm), compared to the 572-cubic-inch V8s, with most of the displacement gain coming from a stroke that is 0.375 in (9.5 mm) longer.
The last track of 454 Big Block's second (and final) album was a re-recording of the Wrecking Crew song "Why Must They?" Record label Century Media had been in talks with Wrecking Crew before the band changed its sound and reformed as 454 Big Block. Originally vocalist Elgin James decided not to join the new project, but when the band's new ...
This is an alphabetical list of the covers performed on the Live Lounge section of the 2021- radio show Rickie, Melvin and Charlie on BBC Radio 1 (and previously on The Jo Whiley Show, Fearne Cotton's radio show and Clara Amfo's show before Whiley, Cotton and Amfo left the show), hosted by Rickie Haywood-Williams, Melvin Odoom and Charlie Hedges.
New Values was Pop's first record for Arista and the first collaboration by Pop and James Williamson since Kill City.The album also reunited Pop and Williamson with multi-instrumentalist Scott Thurston, who had played live piano for The Stooges on Metallic K.O. and Kill City.
One Hour is the eleventh full-length album by German electronic music outfit Cluster. It was recorded live in the studio in Vienna, Austria in July 1994 and released on January 24, 1995, on the U.S.-based Gyroscope label. Precisely one hour of music was culled from four hours of improvisation in the studio.
Time Takes Time is the tenth studio album by Ringo Starr.His first studio album since 1983's Old Wave, it followed a successful 1989–90 world tour with his first All-Starr Band.
"One Crowded Hour" is a song by Australian indie rock band Augie March written by Glenn Richards. The song was released in April 2006 as the first single released from their third studio album, Moo, You Bloody Choir .
"Hourglass" is the first single released from Squeeze's seventh album, Babylon and On. Aided by an optical illusion-filled music video directed by Ade Edmondson, it received substantial airplay on MTV, and "Hourglass" became the highest-charting hit the band ever had in the United States, peaking at number 15 on the Billboard Hot 100, while reaching number 16 in the UK Singles Chart.