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The augmented chord on I may contain the major seventh (I 7 5 (Play ⓘ) or I 6 5 (Play ⓘ)), while the augmented chord on V may contain the minor seventh (V 7 5 (Play ⓘ), V 6 5 (Play ⓘ), or V 4 3 (Play ⓘ)). [1] In C: C–E–G ♯ –B and G–B–D ♯ –F. The augmented triad on the V may be used as a substitute dominant, and may ...
Approach chord; Chord names and symbols (popular music) Chromatic mediant; Common chord (music) Diatonic function; Eleventh chord; Extended chord; Jazz chord; Lead sheet; List of musical intervals; List of pitch intervals; List of musical scales and modes; List of set classes; Ninth chord; Open chord; Passing chord; Primary triad; Quartal chord ...
The augmented minor seventh chord may be considered an altered dominant seventh and may use the whole tone scale, as may the dominant seventh flat five chord. [7] See chord-scale system. The augmented seventh chord normally acts as a dominant, resolving to the chord a fifth below. [8] Thus, G aug 7 resolves to a C major or minor chord, for example.
the chord quality (e.g. minor or lowercase m, or the symbols o or + for diminished and augmented chords, respectively; chord quality is usually omitted for major chords) whether the chord is a triad , seventh chord , or an extended chord (e.g. Δ 7 )
An augmented chord is one which contains an augmented interval, almost invariably the 5th of the chord. An augmented triad is a major triad whose fifth has been raised by a chromatic semitone; it is the principal harmony of the whole tone scale. For example, the D ♭ augmented triad contains the notes D ♭ —F—A.
"The augmented-fourth interval is the only interval whose inverse is the same as itself. The augmented-fourths tuning is the only tuning (other than the 'trivial' tuning C–C–C–C–C–C) for which all chords-forms remain unchanged when the strings are reversed. Thus the augmented-fourths tuning is its own 'lefty' tuning." [23]