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Ultimate Classic Rock critic Matthew Wilkening rated "Spirit on the Water" as the 9th best song Dylan recorded between 1992 and 2011, saying that Dylan "indulges his playful, romantic side on this leisurely, old-fashioned love song" and praising the "unkempt jazz guitar chords and a soft, but cracking snare" as well as the line 'You think I'm ...
I'll Sleep Beside You Someday; I'll Still Feel The Same About You; I'm Allergic To Yellow Roses; I'm Gonna Leave Here Shoutin' I'm Not A Mountain; I'm Longing To Go; I'm Only Gonna Be Here Long Enough; I'm Simply Lost For Words; In And Out; In One Mind; In The Beginning; Into The Holy Of Holies; Is That The Lights Of Home; Is There Anything I ...
A minor major seventh chord, or minor/major seventh chord (also known as the Hitchcock Chord) is a seventh chord composed of a root, minor third, perfect fifth, and major seventh (1, ♭ 3, 5, and 7). It can be viewed as a minor triad with an additional major seventh. When using popular-music symbols, it is denoted by e.g. m (M7).
The major seventh chord, sometimes also called a Delta chord, can be written as maj 7, M 7, Δ, ⑦, etc. The "7" does not have to be superscripted, but if it is, then any alterations, added tones, or omissions are usually also superscripted. For example, the major seventh chord built on C, commonly written as Cmaj 7, has pitches C–E–G–B:
Unlike hymns, the music notation may primarily be based around the chords, with the keyboard score being secondary. At more charismatic services, members of the congregation may harmonise freely during worship songs, perhaps singing in tongues (see glossolalia), and the worship leader seeks to be 'led by the Holy Spirit'. There may also be role ...
[12] In jazz, 7 ♯ 9 chords, along with 7 ♭ 9 chords, are often employed as the dominant chord in a minor ii–V–I turnaround. For example, a ii–V–I in C minor could be played as: Dm 7 ♭ 5 – G 7 ♯ 9 – Cm 7. The 7 ♯ 9 represents a major divergence from the world of tertian chord theory, where chords are stacks of major and ...
Lippy summarizes this as follows: "[T]hrough absolute surrender to the power of the Holy Spirit, by giving the self over to possession by the supernatural, one could triumph and thus attain power and control over the course of one's life." [24] In keeping with the gospel tradition, "I Surrender All" repeats key words throughout the hymn. Each ...
The scale is called the harmonic minor scale because it is a common foundation for harmonies (chords) in minor keys. Traditionally, "the main use for harmonic minor, when improvising or creating melodies, is over the V7 chord, not for use over the i chord ."