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17th-century inscriptions (5 P) Pages in category "17th-century artifacts" This category contains only the following page. This list may not reflect recent changes. D.
After the end of the Golden Age, production of paintings remained high, but ceased to influence the rest of Europe as strongly. Many painters, sculptors and architects of the seventeenth century are called "Dutch masters", while earlier artists are generally referred to as part of the "Netherlandish" tradition. When a work of art is labelled as ...
The Frank Lloyd Wright-designed artifacts, including a copper relief panel designed for the exterior of the tower, an iconic sloped casual armchair designed exclusively for the tower, a lighting ...
The pompous, happy and decorative made its entrance in the 17th century Great Power – during the 17th and 18th centuries the first few decades – was a grand time for architecture. A number of castles, mansions and churches built, like the Royal Palace, meant that artists were called from abroad.
Chinoiserie entered European art and decoration in the mid-to-late 17th century; the work of Athanasius Kircher influenced the study of Orientalism.The popularity of chinoiserie peaked around the middle of the 18th century when it was associated with the Rococo style and with works by François Boucher, Thomas Chippendale, and Jean-Baptist Pillement.
Renaissance technology was the set of European artifacts and inventions which spread through the Renaissance period, roughly the 14th century through the 16th century. The era is marked by profound technical advancements such as the printing press, linear perspective in drawing, patent law, double shell domes and bastion fortresses.
European prehistoric art is an important part of the European cultural heritage. [10] Prehistoric art history is usually divided into four main periods: Stone Age, Neolithic, Bronze Age, and Iron Age. Most of the remaining artifacts of this period are small sculptures and cave paintings.
Early New England Puritan funerary art conveys a practical attitude towards 17th-century mortality; death was an ever-present reality of life, [1] and their funerary traditions and grave art provide a unique insight into their views on death. The minimalist decoration and lack of embellishment of the early headstone designs reflect the British ...