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April 1960 "Money (That's What I Want)" "Oh I Apologise" Barrett Strong: London American HLU 9088 United Kingdom July 1960 "Yes, No, Maybe So" "You Knows What to Do" Barrett Strong: Tamla T-54029 United States August 1960 "Custer's Last Man" "Shimmy Gully" Popcorn and the Mohawks: Motown M-1002 United States "Who Wouldn't Love a Man Like That"
1960s Motown The Easybeats: 1970s Rare Earth Billy Eckstine: 1960s Motown Duane Eddy: 1970s Motown Dennis Edwards: 1970s Gordy The Elgins: 1960s V. I. P. The Fantastic Four: 1960s Ric-Tic and Soul Records Jose Feliciano: 1980s Motown Four Tops: 1960s Motown Frankie Valli & The Four Seasons: 1970s MoWest and Motown Siedah Garrett: 1980s/1990s ...
Motown was the most successful soul music label, with a net worth of $61 million. Between 1960 and 1969, Motown had 79 songs reach the top-ten of the Billboard Hot 100. In March 1965, Berry Gordy and Dave Godin agreed to license the Tamla Motown label name for future UK releases through EMI Records Limited.
Hitsville USA: The Motown Singles Collection 1959–1971 is a 1992 four-CD collection of Motown hits, during Motown's golden age when the songs were recorded at its original Detroit studio. [1] The selections on this compilation were transferred from the original single mixes, which were mixed for AM radio play and 45 RPM singles.
During the mid- to late-1960s, one-fifth of Motown records began using session musicians based in Los Angeles, usually covers and tributes of mainstream pop songs and showtunes. [citation needed] By 1970, Motown sessions were increasingly scheduled in Los Angeles instead of Detroit, including all of those for the Jackson 5's hit
The discography for American rhythm and blues record label Motown, as well as its subsidiaries and imprints, is divided into: Motown albums discography Motown singles discography
TheGrio counts down the greatest albums ever released by artists from Motown Records. This August, two legendary albums, Stevie Wonder’s The post Top 10 Motown albums of all time appeared first ...
Written and produced by Motown's main production team, Holland–Dozier–Holland, [3] the song is one of the most widely-known Motown hits of the 1960s and is today considered the Four Tops' signature song. It was the number one song on the Rhythm & Blues chart for two weeks [4] and on the Billboard Hot 100 for two weeks, in October 15–22, 1966.