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Elvira Louise Redd (September 20, 1928 – February 6, 2022) was an American jazz alto saxophone player, vocalist and educator. She was active from the early 1950s and was known primarily for playing in the blues style.
Jazz saxophonists are musicians who play various types of saxophones (alto saxophone, tenor saxophone, baritone saxophone etc.) in jazz and its associated subgenres. The techniques and instrumentation of this type of performance have evolved over the 20th century, influenced by both movements of musicians that became the subgenres and by particularly influential sax players who helped reshape ...
The ballad "My Reverie" (an adaptation of a Claude Debussy's 1890 piano piece "Rêverie") is one of Rollins's best known 1950s ballad recordings. "The Most Beautiful Girl in the World", a tune from the 1935 musical Jumbo , is a Rodgers & Hart composition which goes here from a jazz waltz to a fast-paced 4/4 tune.
He produced music in the 1950s and 1960s for Tops, Uni and Liberty; among his credits were singles by Gary Lewis & the Playboys. In 1961, Pell switched to alto saxophone and clarinet for a tribute album to John Kirby , who led a small group in the 1930s and 1940s.
Steve Lacy (born Steven Norman Lackritz; July 23, 1934 – June 4, 2004) was an American jazz saxophonist and composer recognized as one of the important players of soprano saxophone. [1] Coming to prominence in the 1950s as a progressive dixieland musician, Lacy went on to a long and prolific career.
Gardner became a prolific session musician, doubling on all the reeds, although his main instrument was alto saxophone. He played on recordings by Benny Carter , Ray Noble , Valaida Snow , Jay Wilbur Buck Washington , and John W. Bubbles . from 1936 to 1937 he performed on the radio, led small groups, and his Swing Orchestra, which included Ted ...
He began playing tenor saxophone in the 1950s with Tony Kinsey, Ted Heath, and Don Rendell. [1] During his tenure with Rendell, he switched to baritone saxophone. [ 1 ] He played at the Newport Jazz Festival in 1958, and formed a group called the Jazz Makers with drummer Allan Ganley that same year. [ 1 ]
Wardell was part of the Basie septet during 1950–51. [3] The only drawback to working with Basie (who had by now enlarged his group again to big band size) was the constant traveling, and Wardell eventually decided to leave so that he could enjoy more home life.