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Galatea (/ ˌ ɡ æ l ə ˈ t iː ə /; Ancient Greek: Γαλάτεια; "she who is milk-white") [1] is the post-antiquity name popularly applied to the statue carved of ivory alabaster by Pygmalion of Cyprus, which then came to life in Greek mythology.
In Greek mythology, Galatea (/ ˌ ɡ æ l ə ˈ t iː ə /; Ancient Greek: Γαλάτεια; "she who is milk-white") [1] was the name of the following figures: Galatea, a Nereid who loved the shepherd Acis, and was loved by the cyclops Polyphemus. [2] Galatea, the statue of a woman created by Pygmalion and brought to life by Aphrodite. [3]
La Galatea is an imitation of the Diana of Jorge de Montemayor, and shows an even greater resemblance to Gaspar Gil Polo's continuation of the Diana.Next to Don Quixote and the Novelas exemplares, his pastoral romance is considered particularly notable because it predicts the poetic direction in which Cervantes would go for the rest of his career.
Aci, Galatea e Polifemo, cantata by Handel; Galatea, or The Triumph of Galatea, a 1512 fresco of Ovid's sea-nymph; Gallathea, a late sixteenth-century play by John Lyly; Galatea, or Pygmalion Reversed, an 1883 musical comedy by Henry Pottinger Stephens, W. Webster and Meyer Lutz; Galatea, a 2009 play by Lawrence Aronovitch
Acis and Galatea (/ ˈ eɪ s ɪ s /, / ɡ æ l ə ˈ t iː. ə / [1] [2]) are characters from Greek mythology later associated together in Ovid's Metamorphoses.The episode tells of the love between the mortal Acis and the Nereid (sea-nymph) Galatea; when the jealous Cyclops Polyphemus kills Acis, Galatea transforms her lover into an immortal river spirit.
The Triumph of Galatea is a fresco completed around 1512 by the Italian painter Raphael for the Villa Farnesina in Rome. [1] The Farnesina was built for the Sienese banker Agostino Chigi, one of the richest men of that age. The Farnese family later acquired and renamed the villa, smaller than the more ostentatious palazzo at the other side of ...
La Fábula de Polifemo y Galatea (The Fable of Polyphemus and Galatea), or simply the Polifemo, is a literary work written by Spanish poet Luis de Góngora y Argote.The poem, though borrowing heavily from prior literary sources of Greek and Roman Antiquity, attempts to go beyond the established versions of the myth by reconfiguring the narrative structure handed down by Ovid.
In book 10 of Ovid's Metamorphoses, Pygmalion was a Cypriot sculptor who carved a woman out of ivory alabaster.Post-classical sources name her Galatea.. According to Ovid, when Pygmalion saw the Propoetides of Cyprus practicing prostitution, he began "detesting the faults beyond measure which nature has given to women". [1]