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The simplest way to digitally encode audio signals is pulse-code modulation (PCM), which is used on audio CDs, DAT recordings, and so on. Digitization transforms continuous signals into discrete ones by sampling a signal's amplitude at uniform intervals and rounding to the nearest value representable with the available number of bits .
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10.2 is the surround sound format developed by THX creator Tomlinson Holman of TMH Labs and the University of Southern California (schools of Cinematic Arts and Engineering). ). Developed along with Chris Kyriakakis of the USC Viterbi School of Engineering, 10.2 refers to the format's slogan: "Twice as good as 5
In the first stage, the input audio is split into blocks. If the audio contains multiple channels, each channel is encoded separately as a subblock. The encoder then tries to find a good mathematical approximation of the block, either by fitting a simple polynomial, or through general linear predictive coding. A description of the approximation ...
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AAC-LC profile consists of a base format very much like AT&T's Perceptual Audio Coding (PAC) coding format, [23] [24] [25] with the addition of temporal noise shaping (TNS), [26] the Kaiser window (described below), a nonuniform quantizer, and a reworking of the bitstream format to handle up to 16 stereo channels, 16 mono channels, 16 low ...
The mid channel is the sum of the left and right channels, or = +. The side channel is the difference of the left and right channels, or S = L − R {\displaystyle S=L-R} . Unlike intensity stereo coding, M/S coding is a special case of transform coding , and retains the audio perfectly without introducing artifacts.
Multi-channel / multi-track support (up to 65536 channels) Streaming [5] Seekable (fast random access to any part of the encoded data). Optional storage in MP4 file format; can be multiplexed with video and other media content supported by the MP4 container. An MPEG-4 Audio profile "ALS Simple Profile", [6] invoked with "-sp1" in the reference ...
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