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Jeremiah 17 is the seventeenth chapter of the Book of Jeremiah in the Hebrew Bible or the Old Testament of the Christian Bible. This book contains prophecies attributed to the prophet Jeremiah, and is one of the Books of the Prophets. This chapter includes the third of the passages known as the "Confessions of Jeremiah" (Jeremiah 17:14–18). [1]
Artur Schnabel, 1906. Austrian pianist Artur Schnabel was the first pianist to record all of Ludwig van Beethoven's 32 piano sonatas. [1] The recordings were made in Abbey Road Studios in London on a C. Bechstein grand piano [2] from 1932 to 1935, [3] [4] [5] seven years after electrical recording was invented. [4]
Ludwig van Beethoven wrote 32 mature piano sonatas between 1795 and 1822. (He also wrote 3 juvenile sonatas at the age of 13 [1] and one unfinished sonata, WoO. 51.)Although originally not intended to be a meaningful whole, as a set they comprise one of the most important collections of works in the history of music. [2]
Jander, Owen (1985) "Beethoven's 'Orpheus in Hades': the Andante con moto of the Fourth Piano Concerto," Nineteenth-Century Music 8:195-212. Libin, Kathryn Shanks (1993) Review of Newman (1988). Notes, Second Series, 49:998-999A. critique of Newman's coverage of the capabilities of the pianos of Beethoven's day.
Ludwig van Beethoven's Piano Sonata No. 3 in C major, Op. 2, No. 3, was written in 1795 and dedicated to Joseph Haydn. It was published simultaneously with his first and second sonatas in 1796 . The sonata is often referred to as one of Beethoven's earliest "grand and virtuosic" piano sonatas. [ 1 ]
Ludwig van Beethoven's Piano Sonata No. 8 in C minor, Op. 13, commonly known as Sonata Pathétique, was written in 1798 when the composer was 27 years old and was published in 1799. It has remained one of his most celebrated compositions. [1] Beethoven dedicated the work to his friend Prince Karl von Lichnowsky. [2]
The variations have been called "Beethoven’s most overt pianistic homage to the Baroque." [ 2 ] The variations differ in character, technical difficulty and dynamics. Pianist Yue Chu points out that the key of C minor indicates that "Beethoven was serious when composing this work," despite his apparent misgivings later.
Piano Sonata No. 17: Scores at the International Music Score Library Project; A lecture covering the compositional process on Beethoven's piano sonata Op. 31, No. 2; A lecture by András Schiff on Beethoven's piano sonata Op. 31, No. 2; Recording of this Sonata by Alberto Cobo; Recording of this Sonata by Serg van Gennip