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By the late 1980s, the "Napalm" cadence had been taught at training to all branches of the United States Armed Forces.Its verses delight in the application of superior US technology that rarely if ever actually hits the enemy: "the [singer] fiendishly narrates in first person one brutal scene after another: barbecued babies, burned orphans, and decapitated peasants in an almost cartoonlike ...
Like numerous other folk songs, "In the Pines" was passed on from one generation and locale to the next by word of mouth. In 1925, a version of the song was recorded onto phonograph cylinder by a folk collector. This was the first documentation of "The Longest Train" variant of the song, which includes a verse about "The longest train I ever ...
Early 20th century postcard depicting black children as "alligator bait" Depicting African-American children as alligator bait was a common trope in American popular culture in the 19th and 20th centuries. The motif was present in a wide array of media, including newspaper reports, songs, sheet music, and visual art.
Huddie William Ledbetter (/ ˈ h j uː d i / HYOO-dee; January 1888 [1] [2] or 1889 [3] – December 6, 1949), [1] better known by the stage name Lead Belly, was an American folk and blues singer notable for his strong vocals, virtuosity on the twelve-string guitar, and the folk standards he introduced, including his renditions of "In the Pines" (also known as "Where Did You Sleep Last Night ...
My husband is white and I am Black. When we learned we were having a daughter, we quickly set goals for how we would raise her: She should be strong and happy. She would love books and reading.
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The following is a partial list of songs performed by Lead Belly. Lead Belly , born Huddie Ledbetter, was an American folk and blues musician active in the 1930s and 1940s. This list is incomplete ; you can help by adding missing items .
The basic narrative remains intact. On the surface, the song is a black slave's lament over his white master's death in a horse-riding accident. The song, however, is also interpreted as having a subtext of celebration about that death and of the slave having contributed to it through deliberate negligence or even deniable action. [3] [4] [5] [6]