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The Cockney Alphabet is a recital of the English alphabet intended to parody the way the alphabet is taught to small working class children. The ostensible humour comes from forming unexpected words and phrases from the names of the various letters of the alphabet, mocking the way people from East London speak.
"Rub-a-dub-dub" or sometimes just "rub-a-dub" is Cockney rhyming slang for "pub". [ 6 ] [ 7 ] "Rub-A-Dub-Dub" is the title of a 1953 country music song by Hank Thompson , a 1984 animated television series by Peter Lang and Alan Rogers, [ 8 ] and a 2023 novel by Robert Wringham .
Cockney is a dialect of the English language, mainly spoken in London and its environs, particularly by Londoners with working-class and lower-middle-class roots. The term Cockney is also used as a demonym for a person from the East End, [1] [2] [3] or, traditionally, born within earshot of Bow Bells.
A London alley contemporary with the song - Boundary Street 1890. The song is full of working class cockney rhyming slang and idiomatic phrasing.. The song tells the story of Bill and his wife who, with a lodger, live down an alleyway off the street (which were usually passages lined with crowded tenements), near the Old Kent Road, one of the poorest districts in London.
"Getta Bloomin' Move On! (The Self Preservation Society)" was the closing theme of the film and was performed by members of the cast; the lyrics feature Cockney rhyming slang. [4] Many incidental themes are based on English patriotic songs, such as "Rule, Britannia!", "The British Grenadiers" and "God Save the Queen".
As part of their act in 1929, they originated the Cockney Alphabet, a humorous alphabet that replaces the letters of the alphabet with supposed "Cockney" phonetics, such as "A for ‘Orses" (Hay for Horses) and ending with "Z for Effect" (Said for Effect). They recorded the routine, as "A Surrealist Alphabet", in 1936. [2] [7]
Some lyrics in the British version may originate with Cockney slang and rhyming slang. [ 31 ] [ 5 ] [ 1 ] In the mid-19th century, "pop" was a well-known slang term for pawning something—and City Road had a well-known pawn establishment in the 1850s.
As with many music hall songs, the lyrics dealt with poverty and sex differences. When introducing the song, Chevalier would enter dressed as an elderly Cockney man with his elderly partner. They would head towards a workhouse, whereupon the porter would separate them under the sex segregation rules. Chevalier's character would cry out in ...