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It sat roughly 5,000 spectators. In the Greek style , the tiered seating extends from the orchestra carved out of the hillside. Around 2 BC, the theatre was renovated and presented to the city of Pompeii as a gift by two relatives, M. Holconius Rufus and M. Holconius Celer, according to an inscription in the theatre.
The Amphitheatre of Pompeii in the 1800s, one of the earliest known Roman amphitheatres. It is uncertain when and where the first amphitheatres were built. There are records attesting to temporary wooden amphitheatres built in the Forum Romanum for gladiatorial games from the second century BC onwards, and these may be the origin of the architectural form later expressed in stone. [5]
Festival seating typically refers to the form of general admission (first-come, first-served) in which there is a large open area (generally outdoors) and all spectators must stand (unless they are permitted to bring their own portable seating). Many music acts use festival seating because it allows the most enthusiastic fans to get near the ...
The pit is usually a large opening ranging from 4–6 feet (1.2–1.8 m) wide, 20–40 feet (6.1–12.2 m) long and 6–10 feet (1.8–3.0 m) deep. Some orchestra pits have lifts or elevators that can raise the floor of the pit up to the same height as the stage. This allows for easier movement of instruments among other things.
The uppermost tier could have only 2 or even 1 different step heights. It is the lowest rows of seats that are the most sensitive to the impact of the C-value because of the very flat view angle to the touch line. The higher seats can have a reduced C-value without impacting as seriously on the clear view of the field of play.
All theatres built within the city of Rome were completely man-made without the use of earthworks. The cavea was not roofed, rather, awnings could be pulled overhead to provide shelter from rain or sunlight. [2] Vomitoria, passages situated below or behind a tier of seats, were made available to the audience. [3]
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