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Fisher Electronics was an American audio equipment manufacturer founded in 1945 by Avery Fisher in New York City, New York. Originally named the Fisher Radio Corporation, the company is considered a pioneer in high fidelity audio equipment.
E.H. Scott Radio Laboratories is sometimes confused with H.H. Scott. E.H. Scott was founded in 1925 by Chicago resident Ernest H. Scott. Its first product was the World's Record Super 8, a TRF (tuned radio frequency) design with typical harness wiring with 16 gauge silvered solid core copper wire employed in an array configuration that was typical to radios at the time. This construction ...
The crest factor, which is the difference between the signal's peak and its average power, [31] is on occasions considered as a basis for the measure of micro-dynamics, for instance in the TT Dynamic Range Meter plug-in. [32] Finally, R 128 LRA has been repeatedly considered as a measure of macro-dynamics or dynamics in the musical sense.
Audio stereo power amplifier made by McIntosh The internal view of a Mission Cyrus One hi-fi integrated audio amplifier (1984) [1]. An audio power amplifier (or power amp) amplifies low-power electronic audio signals, such as the signal from a radio receiver or an electric guitar pickup, to a level that is high enough for driving loudspeakers or headphones.
The Williamson amplifier is a four-stage, push-pull, Class A triode-output valve audio power amplifier designed by D. T. N. Williamson during World War II. The original circuit, published in 1947 and addressed to the worldwide do it yourself community, set the standard of high fidelity sound reproduction and served as a benchmark or reference ...
Madrigal Audio Laboratories was founded in 1984 by Sanford Berlin (1927 – March 11, 2008), when he took over the Highend audio-company Mark Levinson. Further brands of Madrigal were Audioaccess, Proceed, Madrigal, Imaging. 1997 the subsidiary Revel Audio for high quality loudspeakers was founded.
Panning can also be used in an audio mixer to reduce or reverse the stereo width of a stereo signal. For instance, the left and right channels of a stereo source can be panned straight up, which is sent equally to both the left output and the right output of the mixer, creating a dual mono signal.
24-bit and 32-bit audio does not require dithering, as the noise level of the digital converter is always louder than the required level of any dither that might be applied. 24-bit audio could theoretically encode 144 dB of dynamic range, and 32-bit audio can achieve 192 dB, but this is almost impossible to achieve in the real world, as even ...