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Hermann von Gilm, the author of the lyrics. In 1882, Strauss' friend, Ludwig Thuile, introduced Strauss to the poetry of Gilm contained in the volume Letzte Blätter (Last Pages), published in the year of the poet's death, (and the composer's birth), 1864, which contained the poem, Allerseelen. [2]
The tone poems of Richard Strauss are noted as the high point of program music in the latter part of the 19th century, extending its boundaries and taking the concept of realism in music to an unprecedented level. In these works, he widened the expressive range of music while depicting subjects many times thought unsuitable for musical depiction.
Strauss: 10 May 1894; revised version: 29 October 1940 Weimar, Grossherzogliches Hoftheater (both versions) 25 168 1900–01 Feuersnot (Fire Famine) [4] Singgedicht (sung poem) 1 act Wolzogen: 21 November 1901: Dresden, Königliches Opernhaus: 50 203 1903–05 Salome: Musikdrama: 1 act Strauss, based on Lachmann's German translation of Wilde [b ...
An Alpine Symphony, tone poem for orchestra 234: 65 — 1919: opera: Die Frau ohne Schatten, opera in three acts 234a — 146: 1947: orchestral: Symphonische Fantasie aus 'Die Frau ohne Schatten' 235: 68 — 1918: Lieder: Six songs (after poems of Clemens Brentano) for voice and piano, orchestrated 1940
The title Four Last Songs was provided posthumously by Strauss's friend Ernst Roth, who published the four songs as a single unit in 1950 after Strauss's death. Strauss died in September 1949. The premiere was given at the Royal Albert Hall in London on 22 May 1950 by soprano Kirsten Flagstad and the Philharmonia Orchestra , conducted by ...
It was well received by audiences and Strauss's reputation was enhanced more by it than by his symphonic poems. [4] The following year Strauss capitalised on its success by writing Das Schloss am Meere (The Castle by the Sea) to words by Ludwig Uhland. [5] The work has been described as falling within the genre of incidental music. It consists ...
Strauss set eleven poems by the German poet Richard Dehmel between 1895 and 1901. Dehmel was a controversial figure in the Germany of Kaiser Wilhelm II, a socialist who had been convicted for blasphemy in Berlin during 1897. [1] He was the same age as Strauss, and "Dehmel worked squarely within the aesthetic territory occupied by Strauss". [2]
Download QR code; Print/export Download as PDF; Printable version; In other projects ... Allerseelen (band) "Allerseelen " (Strauss), an 1885 art song; All Souls ...