Search results
Results From The WOW.Com Content Network
A short critical review from Rich Aregood in the Philadelphia Daily News read: "Genesis still has trouble putting songs together, but they play and sing beautifully." [88] Retrospective reviews of the album have been more positive. Stephen Thomas Erlewine said Foxtrot was "the first time that Genesis attacked like a rock band". [81]
Get AOL Mail for FREE! Manage your email like never before with travel, photo & document views. Personalize your inbox with themes & tabs. You've Got Mail!
Second Genesis is the second album by jazz saxophonist Wayne Shorter recorded by the Vee-Jay label in 1960 but not released until 1974. [ 4 ] [ 5 ] It was his second session as leader, performing with his Jazz Messengers boss Art Blakey on drums, pianist Cedar Walton and bassist Bob Cranshaw .
The Fifth Quartet uses a motif of the flashing of lighthouses in Orkney. [4] The Seventh Quartet is a tribute to the Baroque architect Francesco Borromini , and the Eighth Quartet, based on John Dowland 's Queen Elizabeth's Galliard , is dedicated to Queen Elizabeth II on the occasion of her eightieth birthday.
"Quartet No. 1" uses a 1-chord (G altered) solo vamp over a rock beat in 3/4, and a repeated theme that uses stacked fourths. The third track, "Quartet No. 2 (Part I)" is a ballad , dedicated to jazz pioneer Duke Ellington , incorporating many of the Western classical harmonies and tensions that Ellington used in much of his playing.
Three of a Perfect Pair is the tenth studio album by English progressive rock band King Crimson, released on 23 March 1984 in the UK by E.G. Records. [4] It is the group's final studio album to feature the quartet of Robert Fripp, Adrian Belew, Tony Levin and Bill Bruford, which broke up later that year, though all four would appear in the sextet lineup featured on THRAK in 1995.
Wayning Moments is the third album by saxophonist Wayne Shorter (and his final album for Vee-Jay Records), showcasing Wayne playing hard bop with trumpeter Freddie Hubbard, pianist Eddie Higgins, bassist Jymie Merritt and drummer Marshall Thompson.
When Mendelssohn composed his octet, it was a rather new genre, and he may have been inspired by Louis Spohr's Double Quartet in D minor, Op. 65. [1] But Spohr's double quartet was written with the two quartets playing apart from each other; Mendelssohn's octet is an undivided ensemble. [ 2 ]