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Mythic fiction is literature that draws from the tropes, themes, and symbolism of myth, legend, folklore, and fairy tales.It is usually set in the real world and deals with realistic issues, but a mythic atmosphere prevails; however, not all mythic fiction is fantasy, and the fantastic component is not always blatant.
The term "mazoku" was used to describe the asura and yaksha in Hindu mythology, as well as Zoroastrianism's daeva. It is a general term for devils, demons and evil beings. In Japanese polytheism, it is an antonym of 神族 (shinzoku), "the tribe of gods". A maō is a king or ruler over mazoku. For instance, in Bible translations, Satan is a maō.
Many fantasy authors use real-world folklore and mythology as inspiration; [11] and although another defining characteristic of the fantasy genre is the inclusion of ...
Even the most fantastic myths, legends and fairy tales differ from modern fantasy genre in three respects: Modern genre fantasy postulates a different reality, either a fantasy world separated from ours, or a hidden fantasy side of our own world. In addition, the rules, geography, history, etc. of this world tend to be defined, even if they are ...
This is a navigational list of deities exclusively from fictional works, organized primarily by media type then by title of the fiction work, series, franchise or author. . This list does not include deities worshipped by humans in real life that appear in fictional works unless they are distinct enough to be mentioned in a Wikipedia article separate from the articles for the entities they are ...
Celtic folklore and legend has been an inspiration for many fantasy works. The separate folklore of Ireland, Wales, and Scotland has sometimes been used indiscriminately for "Celtic" fantasy, sometimes with great effect; other writers have distinguished to use a single source. [17]
Geasa are common in Irish and Scottish folklore and mythology, as well as in modern English-language fantasy fiction. [1] The word originates in Old Irish, also known as Old Gaelic, and retains the same form in Modern Irish (nominative singular geis /ɟɛʃ/, nom. plural geasa /ˈɟasˠə/; genitive sg. geise /ˈɟɛʃə/, gen. pl. geas /ɟasˠ/).
Folklore, as a field of study, further developed among 19th-century European scholars, who were contrasting tradition with the newly developing modernity. Its focus was the oral folklore of the rural peasant populations, which were considered as residues and survivals of the past that continued to exist within the lower strata of society. [18]