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With Bart and Dr Nick's help, Homer eventually increases his weight to 315 pounds (143 kg) and Mr. Burns installs a stay-at-home work terminal in the Simpson house. Marge admits that she finds herself less attracted to Homer physically because of his weight gain, but he vows to prove he can be a better worker because of it.
The character of Wendy Sage was created and voiced by Renee Ridgeley, an actress, writer, and real-life breast cancer survivor and the wife of Simpsons writer Matt Selman who said: “While Sage has all the telltale signs of a breast cancer survivor: a visible scar from a port-o-cath (a device used to deliver chemotherapy), curly hair regrowing ...
[a] By the end of that episode, Tony has taken to stress eating as a way of dealing with the numerous attempts on his life, and the resulting weight gain causes a change of nickname to "Fit-Fat Tony" and eventually "Fat Tony", essentially restoring the status quo from before the first Fat Tony died. This iteration of Fat Tony, although similar ...
George R. R. Martin's procrastination reflects the long writing history of The Winds of Winter. [9] [10] The title is a reference to the 1985 Swedish film My Life as a Dog. Mike Wegman's video is a parody of the video Leave Britney Alone. The panic room that the Simpsons family owns is sponsored by Mountain Dew.
Jessica Simpson has been candid about her diet and fitness routines that helped her lose weight. Her trainer has also shared the goals she helped the star meet. ... "I’ve lost 100 pounds three ...
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Both 'Large Marge' and 'Strong Arms of the Ma' prove that writing good episodes about Marge seem to be out of the question by this point." [5] Cinema.com describes the premise as "Marge becomes agoraphobic (yes, only for one episode) after being mugged on the street and rather strangely decides that the best thing to do is take up weight lifting.
Dennis Perkins of The A.V. Club gave the episode a B−, saying "The careless construction of latter-day Simpsons episodes is never more pronounced than in ‘Walking Big & Tall,’ a slapdash amalgam of two marginally promising plots which would have benefitted from some room to breathe. Even more than the usual resulting thinness of main and ...