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Auricon cameras were 16 mm film Single System sound-on-film motion picture cameras manufactured in the 1940s through the early 1980s. Auricon cameras are notable because they record sound directly onto an optical or magnetic track on the same film that the image is photographed on, thus eliminating the need for a separate audio recorder.
Fotokem was founded by Gerald Brodersen in 1963, [2] starting as a small scale film laboratory in California for independent film productions. Services include telecine from 16mm, 35mm and 65mm to standard definition or high definition; high-resolution scans; film scanning and recording; DVD-creation; editing; digital intermediates, optical track creation; nonlinear finishing; titling, video ...
16 mm film is a historically popular and economical gauge of film. 16 mm refers to the width of the film (about 2 ⁄ 3 inch); other common film gauges include 8 mm and 35 mm. It is generally used for non-theatrical (e.g., industrial, educational, television) film-making, or for low-budget motion pictures.
Agfa Wittner-Chrome, Aviphot-Chrome or Agfachrome reversal stocks (rated at 200 ISO, made from Wittner-Chrome 35mm still film) are available in 16mm and 8mm from Wittner-Cinetec in Germany or Spectra Film and Video in the United States. The Agfa label was also used in widely produced East German film stocks based on Agfa patents before the ...
A PA-302 General Precision Laboratories (GPL) kinescope (c.1950–1955). Its movie film camera, bolted to the top of the cabinet, used Kodak optics.. Kinescope / ˈ k ɪ n ɪ s k oʊ p /, shortened to kine / ˈ k ɪ n iː /, also known as telerecording in Britain, is a recording of a television program on motion picture film directly through a lens focused on the screen of a video monitor.
(A) Human-readable Keykode number (the number to the far right advances by one for each 16 frames of 35 mm film or 20 frames of 16 mm film). Next to that is the same information in USS-128 Barcode machine-readable language. (B) Further down the film (within the 16 frames) is the film identifier information and date symbol (C) Other-use symbols.
The most complex part of telecine is the synchronization of the mechanical film motion and the electronic video signal. Every time the video (tele) part of the telecine samples the light electronically, the film (cine) part of the telecine must have a frame in perfect registration and ready to photograph.
A film to HD video transfer machine was introduced, novel in that the HD camera was not part of the transfer machine but mounted on it. An upgrade would be easy, just change the HD camera, the film transport deck stayed the same. A fiber optic–based 35 mm ground glass to video chip reducer was patented and sold to a competitor.