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In 1962, the company moved to its current location at 453 Chestnut Street from 512 Franklin Street in Nashville, Tennessee. This is the building where United would be contracted by Vee Jay Records to press The Beatles first 7-inch records in North America. The building and the machine presses inside of it were all designed by Ozell Simpkins ...
United Record Pressing underwent its own evolution. The initial pressing plant was formed in 1949 by Nashville label Bullet Records. In the 1950s, it changed to Southern Plastics Inc. and focused on 7-inch singles preferred by jukebox makers. In the early 1960s, the company was pressing more than 1 million records per month.
The initial pressing plant was formed in 1949 by Nashville label Bullet Records. In the 1950s, it changed to Southern Plastics Inc. and focused on 7-inch singles preferred by jukebox makers.
The Nashville location is a record store, label and has publishing offices; The Blue Room live venue and bar; photo studio/darkroom, master recordings vault, and a fulfillment center. To commemorate the opening of Third Man Records in Nashville, White debuted his new project, the Dead Weather , performing a short set for the 150 invited guests ...
It was pressed at United Record Pressing in Nashville at the same time as Jack White's liquid-filled "Sixteen Saltines" 12-inch, and the first copy of the Fwends blood vinyl was traded for two copies of "Saltines." [51] In 2014, Waxwork Records released a blood-filled record for the soundtrack of Friday the 13th, limited to under 75 copies. [52]
Geekiness is next to godliness for the women, girls, LGBTQ folks and people of color who are joined in the film’s record-coll ‘Vinyl Nation’ Review: Doc Looks at Why a Dying Medium Became ...
The company was a major force in R&B, doo wop, soul music, pop doo wop, pop soul, blues, pop, rock and roll, jazz and classical music. Early in the label's history, Mercury opened two pressing plants, one in Chicago and the other in St. Louis, Missouri. [5]
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