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A major part of this stave is taken up with Bob Cratchit's family feast and introduces his youngest son, Tiny Tim, a happy boy who is seriously ill. The spirit informs Scrooge that Tiny Tim will die unless the course of events changes. Before disappearing, the spirit shows Scrooge two hideous, emaciated children named Ignorance and Want.
Engraving of Old Christmas 1842 - Illustrated London News (December 1842). The Ghost of Christmas Present is described as "a jolly Giant", and Leech's hand-coloured illustration of the friendly and cheerful Spirit, his hand open in a gesture of welcome confronted by the amazed Scrooge has been described by Jane Rabb Cohen as elegantly combining "the ideal, real, and supernatural" with humour ...
Playbill for Stirling's adaptation of A Christmas Carol (1844). A Christmas Carol; or, Past, Present, and Future is a play in three acts (or ‘Staves’) by Edward Stirling which opened at the Adelphi Theatre in London on 5 February 1844.
Sonnet 20 is one of the best-known of 154 sonnets written by the English playwright and poet William Shakespeare.Part of the Fair Youth sequence (which comprises sonnets 1-126), the subject of the sonnet is widely interpreted as being male, thereby raising questions about the sexuality of its author.
The Ghost of Christmas Yet to Come is a fictional character in Charles Dickens's 1843 novella A Christmas Carol.The Ghost is the last of the three spirits that appear to miser Ebenezer Scrooge to offer him a chance of redemption, foretold by the ghost of his deceased business partner, Jacob Marley.
"Friends, Romans": Orson Welles' Broadway production of Caesar (1937), a modern-dress production that evoked comparison to contemporary Fascist Italy and Nazi Germany "Friends, Romans, countrymen, lend me your ears" is the first line of a speech by Mark Antony in the play Julius Caesar, by William Shakespeare.
Sonnet 137 is an English or Shakespearean sonnet.The English sonnet has three quatrains, followed by a final rhyming couplet.It follows the typical rhyme scheme of the form abab cdcd efef gg and is composed in iambic pentameter, a type of poetic metre based on five pairs of metrically weak/strong syllabic positions.