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"The Ocean" features an unusual time signature, being partially in septuple meter, with a repeated two-measure phrase consisting of one bar of 4 4 and one bar of 7 8. [7] The introduction, "We've done four already, and now we're steady" is done by John Bonham. [8]
In the first French edition, the time signature is 4/4, but most recent editions of this piece follow the manuscript and German editions, which indicate cut time. [1] This work is a series of rising and falling arpeggios in various chord progressions from C minor. It is sometimes nicknamed the "Ocean" étude. [2] [3]
This is a list of musical compositions or pieces of music that have unusual time signatures. "Unusual" is here defined to be any time signature other than simple time signatures with top numerals of 2, 3, or 4 and bottom numerals of 2, 4, or 8, and compound time signatures with top numerals of 6, 9, or 12 and bottom numerals 4, 8, or 16.
With regards to which time signatures are unusual, the Time signature article already mentions a number of time signatures (3/4, 4/4, 6/8 et al.) as 'most common', leading to the implication that other time sigs are unusual. Moreover, a number of time signatures is explicitly mentioned as being unusual afterwards, again without sourcing.
Most time signatures consist of two numerals, one stacked above the other: The lower numeral indicates the note value that the signature is counting. This number is always a power of 2 (unless the time signature is irrational), usually 2, 4 or 8, but less often 16 is also used, usually in Baroque music. 2 corresponds to the half note (minim), 4 to the quarter note (crotchet), 8 to the eighth ...
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According to its sheet music, "Edge of the Ocean" is set in the time signature of common time, and has a moderate tempo of 96 beats per minute. The song is composed in the key of D-flat major and it follows the setup of an instrumental intro, followed by two verses, each succeeded by a chorus and another intro.
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