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While searching for a suitable block of marble to create the bust there was some discussion with members of the court about whether or not Bernini would make a full body statue or a bust. [4] Once potential blocks of marble had been selected, Bernini began by taking drawings (none of which survive [ 5 ] ) and small clay models of the king. [ 6 ]
Lorenzo Bartolini, (Italian, 1777–1850), La Table aux Amours (The Demidoff Table), Metropolitan Museum of Art, New York City, Marble sculpture. Marble has been the preferred material for stone monumental sculpture since ancient times, with several advantages over its more common geological "parent" limestone, in particular the ability to absorb light a small distance into the surface before ...
Schindler considers the marble monument to the nobles of Hürnheim in Hochaltingen to be Daucher's masterpiece. [1] He was so in demand that he had to maintain a large studio in Augsburg, with one area producing and processing huge marble blocks for his sculptures and another for melting and casting medals and cooling his large and small ...
The statue was 11 feet (3.4 m) high, of marble, and the plinth (base) added another 14 feet (4.3 m). It weighed 26,000 pounds (12,000 kg), and was said to be the largest sculpture created in the 19th century. [1] It was carved in Italy and shipped to Fairmount Park in Philadelphia for the nation's 1876 Centennial Exposition.
The Ludovisi Throne is an exceptional ancient sculpture from Locri, Southern Italy. [1] Not an actual throne, the sculpture is white marble block intricately carved with bas-reliefs on its three visible sides, with its primary depiction considered by many as depicting Aphrodite rising from the sea. It originates from the transitional phase ...
At 250 tonnes, the original block of marble had its centre drilled out in the Michelangelo quarry to reduce its weight as far as possible for transportation down the steep winding road to the Michelangelo Studio, Carrara. This in itself was a feat of logistics and required careful planning and patience to ensure it reached the studio safely.
Heavy tariffs were placed on blocks of marble imported from overseas at the time, but art intended for public exhibition was admitted to the country duty-free. [20] Doyle is recorded as having saved the state of Indiana $1,500 by having the pieces sculpted in Italy, rather than in the United States.
The statue, Abraham Lincoln, with the inscription in the background in August 2015 The 170-ton statue is composed of 28 blocks of white Georgia marble [1] [vague] and rises 30 feet (9.1 m) from the floor, including the 19-foot (5.8 m) seated figure (with armchair and footrest) upon an 11-foot (3.4 m) high pedestal.