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Symphony No. 3, Op. 27, titled Song of the Night, is a work for chorus and orchestra, with a solo part for tenor voice, by Karol Szymanowski.He completed it in 1916 after a period travelling Eastern Europe.
Author Tony Earnshaw's book Beating the Devil: The Making of Night of the Demon argues that showing the demon was planned early on in the production (despite Tourneur's protests to the contrary), in order to heighten the tension in the film by letting the audience know the demonic powers were real. Bennett, also angry at the script changes ...
Dani de la Orden was born on 2 June 1989 in Barcelona. [1] An avid consumer of cinema since he was very young, he started making short films alongside his grandmother. [2] He earned a degree in direction from the ESCAC. [3]
En la noche dichosa En secreto, que nadie me veia, Ni yo miraba cosa, Sin otra luz, y guia, Sino la que en el corazón ardia. Aquesta me guiaba Más cierto que la luz del mediodia, A donde me esperaba, Quien yo bien me sabia, En parte, donde nadie parecia. ¡Oh noche que guiaste, Oh noche amable más que el alborada; Oh noche que juntaste Amado ...
Black Sunday (Italian: La maschera del demonio, lit. 'The mask of the demon') is a 1960 Italian gothic horror film directed by Mario Bava in his official directorial debut, and starring Barbara Steele, John Richardson, Andrea Checchi, Ivo Garrani, Arturo Dominici and Enrico Oliveri.
"Ritmo de la noche" (Rhythm of the Night) is a song written by AC Beat, Lagonda, Castioni, and Wycombe, and originally recorded by German house group Chocolate in 1990. It was covered and released in the same year by Mystic, The Sacados, Lorca, and ten other producers.
A model attribution edit summary is Content in this edit is translated from the existing Spanish Wikipedia article at [[:es:Estoy hecho un demonio]]; see its history for attribution. You may also add the template {{Translated|es|Estoy hecho un demonio}} to the talk page. For more guidance, see Wikipedia:Translation
Like Coventry Patmore's narrative poem, The Angel in the House (1854), El ángel del hogar was a bestseller. The two works came to symbolize the Victorian feminine ideal. [3] The Spanish novel was prefaced by Ángela Grassi, also a writer and friend of Sinués. Grassi praised in it how Sinués intended to educate her readers in the values that ...