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The opening call to the "water boy" has been said to bear a resemblance to melodies found in classical works by Cui, Tchaikovsky, and Liszt, as well as a Jewish marriage song and a Native American tune. [4] The first melody of the subsequent refrain is similar to the old German tune "Mendebras," used for the hymn "Oh Day of Rest and Gladness."
And it was great — though if you think about it, here's us doing a song and it was really a girls' song. 'I talk about boys now!' Or it was a gay song. But we never even listened. It's just a great song. I think that's one of the things about youth — you just don't give a shit. I love the innocence of those days." [6]
On the Beatles' recording, "Your Mother Should Know" is performed in the key of A minor [15] and its time signature is 4/4. [16] The use of piano crotchet chords is typical of McCartney's compositions of the time, starting with "Got to Get You into My Life" in 1966. [6]
Imagine is the second solo studio album by the English musician John Lennon, released on 9 September 1971 by Apple Records.Co-produced by Lennon, his wife Yoko Ono and Phil Spector, the album's elaborate sound contrasts the basic, small-group arrangements of his first album, John Lennon/Plastic Ono Band (1970). [1]
I Love You" is a song recorded by English rock band the Beatles in 1962. It was composed principally by Paul McCartney [ 1 ] (credited to Lennon–McCartney ), and produced by Ron Richards . The song was released in the UK on 5 October 1962 as the B-side of their debut single " Love Me Do " and is also included on their debut album Please ...
"I made up a song for Mom," Archer explained. "I think the CD player's broken. When Mike learned of the sentiment behind the paper CD, he did not throw the looseleaf in the trash -- quite the ...
The original 1978 vinyl release of the soundtrack omitted some of the material. The design of the record's inner sleeve reflected the Apple/EMI 1962–1966 ("Red") and 1967–1970 ("Blue") compilation Beatles albums released in 1973, with printed lyrics, red, blue and white layouts, and the track listing for the two album sides using similar periods (side one: 1962–67, side two: 1967–70).
The chorus has a bass guitar and acoustic guitar playing the same notes an octave apart, while the keyboard is played in a chord-per-bar fashion. The verses have a "chant-like plea" while the choruses have a "defiant masculinity". The vocal lines are cut short so as to eradicate any vibrato, and the vocals have been treated in post-production [3]