Search results
Results From The WOW.Com Content Network
Northern and central-Indian Hindustani musicians favor the term tanpura (often used within the context of languages such as Bengali, Gujarati, Hindi, Sindhi, Punjabi, etc.), whereas southern and Carnatic musicians normally prefer tambura (for example, in Kannada, Malayalam, Tamil, or Telugu); tanpuri is a smaller variant of the instrument ...
A medieval instrument, labeled nagaveena (snake veena), is a type of musical scraper. Chigggjha – fire tong with brass jingles; Chengila – metal disc; Eltathalam; Gegvrer – brass vessel; Ghaynti – Northern Indian bell; Ghatam and Matkam (Earthenware pot drum) Ghunyugroo; Khartal or Chiplya; Manjira or jhanj or taal; Nut – clay pot ...
The Indian Tanpura (tanpura, tamboura or taanpura or tanipurani) is found in different forms and in many places even as electronic tanpura. The Shirvan tanbur has a pear-shaped form and belongs to the same family of instruments as the saz. The total length of the tanbur is 940 mm.
Side view of a Tanjore-style rosewood tanpura bridge with cotton threads adjusted for full resonance. In Indian classical music , javārī [ a ] refers to the overtone -rich "buzzing" sound characteristic of classical Indian string instruments such as the tanpura , sitar , surbahar , rudra veena and Sarasvati veena .
Made in several regions in South India, those made by makers from Thanjavur in the South Indian state of Tamil Nadu are to date considered the most sophisticated. However, the purest natural sound is extracted by plucking with natural fingernails on a rosewood instrument construction, which is exemplified by the grandeur of the Mysore Veena.
The nadaswaram [note 1] is a double reed wind instrument from South India. [1] It is used as a traditional classical instrument in Tamil Nadu, Andhra Pradesh, Telangana, Karnataka and Kerala [2] and in the northern and eastern parts of Sri Lanka. This instrument is "among the world's loudest non-brass acoustic instruments". [3]
The name resembles that of the Indian tanpura, but the Greek tambouras is a completely different instrument. Since modern Greek words do not have a standard transliteration into the Latin alphabet, the word may be found written in many ways: tampouras, tambouras, tabouras, taburas etc. Even the final -s may be dropped at the transliteration ...
Sometimes the ghatam is turned around so that the mouth faces towards the audience and the performer plays on the neck of the instrument. The ghatam can be moved to multiple different positions while being played. Occasionally, the performer will, to the amusement of the audience, toss the instrument up in the air and catch it.