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Simonetta Vespucci may also be depicted in the painting by Piero di Cosimo titled Portrait of a woman, said to be of Simonetta Vespucci, which portrays a woman as Cleopatra, with an asp around her neck. Yet how closely this resembles Simonetta is uncertain, not least because it is a posthumous portrait created about 14 years after her death.
Detail of the painting Madonna del Rosario by Lorenzo Lotto. The lady in the painting is according to local tradition Sperandia Simonetti, a noblewoman from Cingoli. [12] The Simonetti first arrived in Jesi in the 12th century. According to Gamurrini, they were sent by emperor Barbarossa to govern Jesi as vicars. The first member of this family ...
Pope John Paul II was the subject of three premature obituaries.. A prematurely reported obituary is an obituary of someone who was still alive at the time of publication. . Examples include that of inventor and philanthropist Alfred Nobel, whose premature obituary condemning him as a "merchant of death" for creating military explosives may have prompted him to create the Nobel Prize; [1 ...
Also, art movements based in California. The category also includes artisans from California (see Category:Artisans. Subcategories. This category has the following 21 ...
The List of painters in the Los Angeles County Museum of Art collections is a list of the artists indexed in the Los Angeles County Museum of Art website whose works in their collection were painted. The museum's collections are spread throughout several locations in Los Angeles, and not all works are on display.
A beloved fitness instructor went missing while paddling with friends along the Florida coastline, a nonprofit said. Eiffel Gilyana was found dead near Vilano Beach on Dec. 26, three days after a ...
Rosa was adopted by the Monterey Bay Aquarium in 1999 and served as surrogate mother for a record 15 otters. She outlived the life expectancy for wild southern sea otters.
La Bella is a portrait of a woman by Titian in the Palazzo Pitti in Florence. The painting shows the subject with the ideal proportions for Renaissance women. [1] In parallel the stringent composition corresponds to Titian's real portraits. The work can be dated by a letter about "that portrait of that woman in a blue dress" in May 1536.