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Steve Jobs is the authorized self-titled biography of American business magnate and Apple co-founder Steve Jobs. The book was written at the request of Jobs by Walter Isaacson, a former executive at CNN and Time who had previously written best-selling biographies of Benjamin Franklin and Albert Einstein. [1] [2]
Walter Seff Isaacson (born May 20, 1952) is an American journalist who has written biographies of Henry Kissinger, Benjamin Franklin, Leonardo da Vinci, Albert Einstein, Steve Jobs, Jennifer Doudna and Elon Musk. As of 2024, Isaacson is a professor at Tulane University and, since 2018, an interviewer for the PBS and CNN news show Amanpour ...
Walter Isaacson indirectly attempts to answer that vexing question in his outstanding biography of Steve Jobs. We learn that Jobs' brand of greatness was such a unique blend of disparate elements ...
In the book Steve Jobs, biographer Walter Isaacson states that around 1972, while Jobs was attending Reed College, Robert Friedland "taught Steve the reality distortion field." The RDF was said by Andy Hertzfeld to be Jobs's ability to convince himself, and others around him, to believe almost anything with a mix of charm, charisma, bravado ...
Author Walter Isaacson — known for his best-selling biography of Jobs — called Musk "in some ways the Steve Jobs of our time," saying both figures exemplify immense ambition, relentless drive ...
Isaacson, former CEO of CNN and editor of Time magazine, previously has written sweeping biographies of such figures as Steve Jobs, Albert Einstein, Benjamin Franklin, Leonardo da Vinci and ...
Jobs also worked with his team to come up with the phrase, "Local Integrated System Architecture" as an alternative explanation for the Apple Lisa [7] (decades later, however, Jobs admitted to his biographer Walter Isaacson that "obviously, it was named for my daughter" [8]).
Barnes also noted that the movie also bested a third Jobs movie in the works by Aaron Sorkin adapted from Steve Jobs by Walter Isaacson with input from Wozniak to the market. [10] Fortune reviewer Philip Elmer-DeWitt describes the movie as " an over-long Saturday Night Live skit that never quite gets rolling", but noted it had a few things ...