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"New Girl Now" is a song by the Canadian rock band Honeymoon Suite. It was written by Derry Grehan, and released as a single in 1984, from the album Honeymoon Suite . The single reached No. 23 in Canada (2 weeks) and No. 57 in the United States.
A contrafact is a musical composition built using the chord progression of a pre-existing song, but with a new melody and arrangement. Typically the original tune's progression and song form will be reused but occasionally just a section will be reused in the new composition. The term comes from classical music and was first applied to jazz by ...
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...
The band was originally formed in 1981 by Johnnie Dee (vocals, guitar), Brad Bent (keyboards, vocals) and Mike Lengyell (drums, formerly with The Diodes).By 1983, the line-up changed, with Dee (the only original remaining member) now on rhythm guitar and lead vocals, along with new recruits Derry Grehan on lead guitar and Dave Betts on drums, both of whom had recorded two albums as members of ...
A guitarist performing a C chord with G bass. In Western music theory, a chord is a group [a] of notes played together for their harmonic consonance or dissonance.The most basic type of chord is a triad, so called because it consists of three distinct notes: the root note along with intervals of a third and a fifth above the root note. [1]
Honeymoon Suite is the debut album by Canadian rock band Honeymoon Suite, released in 1984 on Warner Bros. Records.In 1990 it was certified Triple Platinum in Canada (in excess of 300,000 copies sold). [1]
The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.
The original version contains a guitar mimicking the piano throughout the track, a reversed piano chord, and a lighter drum track, played by Rhys Clark. The 1983 version removes the guitar, plays the piano chord forwards, and features a faster and more upbeat drum track, played by Mike McGee.