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Uncle Albert sends Shaggy and Scooby a message revealing that he has been working undercover for Phibes all along. Phibes soon learns that there is a mole in his organization and plans to expose the person. After finding their uncle, the duo face an even bigger challenge as Phibes escapes and launches the self-destruct mechanism of his lair.
Shaggy has a characteristic speech pattern marked by his frequent use of the filler word "like" and a pubescent voice that often cracks. His catchphrase is the nonsense word "Zoinks!", used to express surprise or alarm.
The gang visits Daphne's Uncle Matt, whose ranch is being haunted by Tamooka, an ancient ghost in the form of a flying bull. When Uncle Matt is captured, the gang searches for him in a cave, only to find a medicine man who wants to be rid of them. A disguised flying machine, Lenny and Sam Farren, aided by the latter's foreman SDD-12
"Uncle Albert/Admiral Halsey" is a song by Paul and Linda McCartney from the album Ram. Released in the United States as a single on 2 August 1971, [2] it reached number one on the Billboard Hot 100 on 4 September 1971, [3] [4] making it the first of a string of post-Beatles, Paul McCartney-penned singles to top the US pop chart during the 1970s and 1980s.
Uncle Shagworthy, Gizmo, Stripe, The Brain Crew work. Year Title Position 2008 Ninjas vs. Zombies: Executive producer and writer 2010 Ninjas vs. Vampires: 2011
She was assigned the rights to many of their songs for financial reasons. [7] "Jesse James" is a 1963 recording of Uncle Charlie, who was a relative of Bill McEuen's wife. The "Uncle Charlie Interview" is from the same 1963 recording. This leads directly into Mr. Bojangles, associating the real man with the song character.
"Uncle Shagworthy: Shaggy's rich uncle. Not only does he look like his nephew — he has the same appetite and cowardice. He keeps his most precious possession (marijuana) in a secret refrigerator with valuable jewels." —Preceding unsigned comment added by 67.49.108.114 17:17, 29 October 2010 (UTC)
[7] James Southall of Movie Wave wrote "The Man from UNCLE is a textbook example of how to do homage/pastiche just right – respectful nods, no direct copying, and Pemberton’s own musical personality is certainly on display too. Along with his score the album features some great songs, which blend stylistically very well indeed.