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Black Vaudeville is a term that specifically describes Vaudeville-era African American entertainers and the milieus of dance, music, and theatrical performances they created. Spanning the years between the 1880s and early 1930s, these acts not only brought elements and influences unique to American black culture directly to African Americans ...
Vaudeville (/ ˈ v ɔː d (ə) v ɪ l, ˈ v oʊ-/; [1] French: ⓘ) is a theatrical genre of variety entertainment which began in France at the end of the 19th century. [2] A Vaudeville was originally a comedy without psychological or moral intentions, based on a comical situation: a dramatic composition or light poetry, interspersed with songs ...
John Rambo in the Rambo film series [21] Black best friend: In American films and television shows, a Black best friend is a secondary character, often female, who is used to "guide White characters out of challenging circumstances." The Black best friend "support[s] the heroine, often with sass, attitude and a keen insight into relationships ...
This is a partial list of vaudeville performers. Inclusion on this list indicates that the subject appeared at least once on the North American vaudeville stage during its heyday between 1881 and 1932. The source in the citation included with each entry confirms their appearance and cites information in the performance notes section.
List of Puerto Rican slang words and phrases; R. List of regional nicknames; List of religious slurs; S. List of South African slang words; List of sports idioms; T.
George Walker, Adah Overton Walker, and Bert Williams in In Dahomey (1903), the first Broadway musical to be written and performed by African Americans. Bert Williams (November 12, 1874 – March 4, 1922) was a Bahamian-born American entertainer, one of the pre-eminent entertainers of the vaudeville era and one of the most popular comedians for all audiences of his time. [1]
Big Time Vaudeville was a series of black-and-white 9- to 10-minute short films resembling the Vitaphone Varieties and also produced by Warner Brothers and Vitaphone (at the Brooklyn studios in New York). These consisted of four to six vaudeville acts and are historically interesting with many performers rarely seen on film.
The Chitlin' Circuit was a "collection of all-black venues, clubs, [and] theaters". [13] [14] Reopened during the Harlem Renaissance in 1934, the Apollo Theater was the performers' most sought after venue. [15] [16] Notable performers for this circuit include Richard Pryor, Moms Mabley, Dick Gregory, Redd Foxx, and the duo Tim and Tom. [17]