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An illuminated manuscript is a formally prepared document where the text is decorated with flourishes such as borders and miniature illustrations.Often used in the Roman Catholic Church for prayers and liturgical books such as psalters and courtly literature, the practice continued into secular texts from the 13th century onward and typically include proclamations, enrolled bills, laws ...
An illuminated manuscript is a book, usually religious in nature, that has been intricately decorated with paints, inks, and metal leaf such as gold and silver. This can include full page illustrations, intricate initials at the beginning of paragraphs and chapters, and embellishment to particularly important areas of text.
Miniature of Sinon and the Trojan Horse, from the Vergilius Romanus, a manuscript of Virgil's Aeneid, early 5th century. A miniature (from the Latin verb miniare 'to colour with minium', a red lead [1]) is a small illustration used to decorate an ancient or medieval illuminated manuscript; the simple illustrations of the early codices having been miniated or delineated with that pigment.
The interlace is the best-known motif of Insular art. This decoration, however, is not limited to Celtic art of Insular illumination. It is also seen in some Egyptian papyrus, Byzantine and Italian works and some Anglo-Saxon works of art, like those found in the tomb at Sutton Hoo.
The first illuminated page contains colors of crimson and various shades of sapphire as well as gold encasing people and mythical creatures such as mermaids, imps, and centaurs as well as various birds and plants. The animals and people are ringed by gold on the outer left side and the center rings the imps and men with abstracted bodies.
Illuminated, majuscule, frontispicii in colour and gold) Estera Hebrew Meghi'lat Esther (Estera). Bucharest, National Academy Library (Ester - BAR ms. oriental 405, 1673 Moldova, pergament, roll 1750/173 mm. Ebraic text aschenaz with black ink.
The Hours of Catherine of Cleves (Morgan Library and Museum, now divided in two parts, M. 917 and M. 945, the latter sometimes called the Guennol Hours or, less commonly, the Arenberg Hours) is an ornately illuminated manuscript in the Gothic art style, produced in about 1440 by the anonymous Dutch artist known as the Master of Catherine of Cleves.
Office of the Dead, folios 121v–122r; the manuscript's closing leaves. The Black Hours, MS M.493 (or the Morgan Black Hours) is an illuminated book of hours completed in Bruges between 1460 and 1475. [1] It consists of 121 pages (leaves) with Latin text written in Gothic minuscule script.