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Gozzi's Turandot – in one form or another – occupied Busoni at various times in the years 1904–1917. He was very fond of fantastical and magical tales: his immediately preceding work was the Piano Concerto, Op. 39 BV247, which included music from an unfinished adaptation of Adam Oehlenschläger's Aladdin. [4]
Chôros No. 2 for flute and clarinet; Chôros No. 7 for flute, oboe, clarinet, alto saxophone, bassoon, violin and cello with tam-tam ad lib; Quinteto (em forma de chôros) for flute, oboe, cor anglais, clarinet and bassoon; Carl Maria von Weber: Trio for Piano, Flute and Cello in G minor, Op. 63, J. 259 (1818-19)
Johann Sebastian Bach composed suites, partitas and overtures in the baroque dance suite format for solo instruments such as harpsichord, lute, violin, cello and flute, and for orchestra. Harpsichord [ edit ]
Turandot (Italian pronunciation: [1] [2] or [turanˈdɔt] ⓘ; [3] [4] see below) is an opera in three acts by Giacomo Puccini to a libretto in Italian by Giuseppe Adami and Renato Simoni. Puccini left the opera unfinished at the time of his death in 1924; it premiered in 1926 after the music was posthumously completed by Franco Alfano.
Born in Chicago and raised in New Rochelle, New York, Janet Maguire began musical studies at the age of six: on piano, French horn, and cornet. She completed a BA degree in Piano at Colorado College , then went to Paris to study composition with René Leibowitz for five years.
Ultimately Franco Alfano was chosen to complete Turandot. In 1935 Zandonai became the director of the Rossini Conservatory in his beloved Pesaro. There he revived some works of Rossini, such as Il viaggio a Reims and the overture for Maometto secondo. In 1941 he re-orchestrated La gazza ladra, reducing it to three acts.