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Emily VanDerWerff of Slant Magazine named the episode the show's fifth best, stating "while there are a lot of funny jokes in this episode (including Homer's fingers that are too fat to dial), the best thing about it is the sight of Homer, weighing well over 300 pounds, dressed in a muumuu and a 'fat guy hat.' The climax is a little forced and ...
George R. R. Martin's procrastination reflects the long writing history of The Winds of Winter. [9] [10] The title is a reference to the 1985 Swedish film My Life as a Dog. Mike Wegman's video is a parody of the video Leave Britney Alone. The panic room that the Simpsons family owns is sponsored by Mountain Dew.
[a] By the end of that episode, Tony has taken to stress eating as a way of dealing with the numerous attempts on his life, and the resulting weight gain causes a change of nickname to "Fit-Fat Tony" and eventually "Fat Tony", essentially restoring the status quo from before the first Fat Tony died. This iteration of Fat Tony, although similar ...
"MyPods and Boomsticks" is the seventh episode of the twentieth season of the American animated television series The Simpsons. It first aired on the Fox network in the United States on November 30, 2008.
Jessica Simpson has been candid about her diet and fitness routines that helped her lose weight. Her trainer has also shared the goals she helped the star meet. ... "I’ve lost 100 pounds three ...
"Marge Be Not Proud" is the eleventh episode of the seventh season of the American animated television series The Simpsons. It originally aired on Fox in the United States on December 17, 1995, exactly six years after the series premiere episode "Simpsons Roasting on an Open Fire".
“Love Actually” writer-director Richard Curtis admitted at the Times and Sunday Times’ Cheltenham Literature Festival (via Today) that he regrets the many weight-centric jokes he wrote into ...
The meat-eating contest seen in the beginning of the episode was conceived by Simpsons writer Donick Cary during a story pitch-out, according to writer and executive producer Matt Selman. When rewriting the episode, the writing staff was divided into two groups, so that one group wrote the A-story, while the other wrote the B-story. [2]