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Sinicization of Buddhism – White Robe Guan Yin – explanation of how Avalokiteshvara transformed into Guan Yin in Chinese Buddhism; Surangama Sutra Archived 14 February 2015 at the Wayback Machine English translation of Chapter 5 "The Ear Organ" which mentions Guan Yin. The Śūraṅgama Sūtra: A New Translation by Buddhist Text Translation ...
The character is believed to be derived from the Buddhist bodhisattva Guanyin. [ 2 ] [ 3 ] Chinese scholars generally believe that Cihang Zhenren is the origin of Guanyin's male form and that the transition of Guanyin from male to female occurred during the Northern and Southern Dynasties period. [ 4 ]
In Buddhism, Ekādaśamukha (Sanskrit: एकादशमुख, IPA: [eːˈkɑːd̪ɐɕɐmukʰɐ], lit."Eleven-Faced"; Chinese (Traditional): 十一面觀音; Simplified: 十一面观音; pinyin: Shíyīmiàn Guānyīn; Japanese: 十一面観音, Jūichimen Kannon) is a bodhisattva and a manifestation of Avalokiteśvara (known in Chinese as Guanyin), counted as one of six forms of the ...
Here is the English translation of the most popular sung text in Chinese speaking countries and in Vietnam, realized from the romanized Sanskrit (or IAST) Amogavajra's version. [g] The numbers in brackets have been added, as the sentences (or verses) in the original are not numbered: [h]
Her presence in Guanyin's iconography was influenced by tantric sutras celebrating the esoteric Amoghapāśa and Thousand-armed forms of Guanyin, which mention Longnü offering Guanyin a priceless pearl in gratitude for the latter visiting the Dragon King's palace at the bottom of the ocean to teach the inhabitants her salvific dharani.
In East Asian Buddhism, the Six Guanyin (Chinese 六觀音 (traditional) / 六观音 (), pinyin: Liù Guānyīn; Korean: 육관음, Yuk Gwaneum; Japanese: 六観音, Roku Kannon, Rokkannon; Vietnamese: Lục Quán Âm) is a grouping of six manifestations of the bodhisattva Avalokiteśvara, known as Guanyin (Guanshiyin) in Chinese and Kannon (Kanzeon) in Japanese.
An example of this variation is the colossal Guanyin statue located in Tsz Shan Monastery in Hong Kong. Cintāmaṇicakra may also be abstractly represented via his attributes or symbols (samaya; Ch. 三昧耶形, sānmèiyé xíng; Jp. sa(n)maya-gyō), the cintāmaṇi and the lotus flower.
Old translation (Kumaravija) Direction New translation (Amoghavajra) Direction 無量力吼 West Vajrapāramitā (金剛波羅蜜多) Central 雷電吼 North Vajrayakṣa (金剛夜叉) North 無畏方吼 East Vajratīkṣṇa (金剛利) West 龍王吼 South Vajraratna (金剛宝) South 金剛吼 Central Vajrapāṇi (金剛手) East