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Sir Andrew Aguecheek is a fictional character in William Shakespeare's play Twelfth Night, or What You Will. One of the supporting characters, Sir Andrew is a stereotypical fool, who is goaded into unwisely duelling with Cesario and who is slowly having his money pilfered by Sir Toby Belch. He is dim-witted, vain and clownish.
In the mid-19th century Frederick Richard Pickersgill painted a few scenes, including: in Act 1, Scene 4 after the character Viola is shipwrecked, when she cross-dresses as Cesario, enters the service of Duke Orsino as his page and falls in love with him; and in Act 3, Scene 1 when Olivia declares her love for Cesario (1859 painting).
A Scene from Twelfth Night by William Shakespeare: Act V, Scene i (William Hamilton, c. 1797) The play was one of the earliest Shakespearean works acted at the start of the Restoration; Sir William Davenant's adaptation was staged in 1661, with Thomas Betterton as Sir Toby Belch.
Orsino is in love with the idea of being in love and is depressed about this, so when he says "if music be the food of Love play on" (Act 1 Scene 1) he is trying to cure his depression, and Shakespeare uses a metaphor about feeding love, that refers back to the "food of love".
O Mistress Mine is an Elizabethan song which appears in Shakespeare's play Twelfth Night. It is sung by the character Feste, who is asked to sing a love song by Sir Andrew Aguecheek and Sir Toby Belch. The words of the song are addressed to the singer/poet's lover.
Sir Toby is an ambiguous mix of high spirits and low cunning. He first appears in the play's third scene, when he storms onto the stage the morning after a hard night out, complaining about the sombre melancholy that hangs over his niece's household.
Malvolio is a fictional character in William Shakespeare's comedy Twelfth Night, or What You Will. His name means "ill will" in Italian, referencing his disagreeable nature. [1] He is the vain, pompous, authoritarian steward of Olivia's household.
The Duel Scene from 'Twelfth Night' by William Shakespeare, William Powell Frith (1842). In the First Folio, the plays of William Shakespeare were grouped into three categories: comedies, histories, and tragedies; [1] and modern scholars recognise a fourth category, romance, to describe the specific types of comedy that appear in Shakespeare's later works.